Journal of Beckett Studies, Volume 1,Nummers 1-2

action actor appear ashes audience becomes beginning body called characters Company critical desire directed director drama Dublin dust effect English essay example existence experience expression face fact female fiction figure final French give Godot head human idea identity important Irish John kind Krapp language later less light live look meaning memory metaphor mind Molloy Moran Mouth move Murphy narrative narrator never notes novel opening original Paris passage past performance philosophical play poem position possible present Press production published question Reader reference relation Review revised Samuel Beckett seems sense speak stage story structure Studies suggests Tabori tape telling Theatre things thought translation turn understanding University Unnamable voice Waiting wanted writing York