Ben Jonson and the Language of Prose ComedyHarvard University Press, 1960 - 335 pagina's |
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Pagina 38
... speak even more roughly , it is the other way around . To the question of how these stylistic habits correspond to other aspects of Shakespearean drama , one can offer only hesitant answers . The argumentative character of the prose ...
... speak even more roughly , it is the other way around . To the question of how these stylistic habits correspond to other aspects of Shakespearean drama , one can offer only hesitant answers . The argumentative character of the prose ...
Pagina 92
... speak like himself at all times . Mimicry , however , introduces a complication : a violation of decorum , so to speak , on the part of the character , who is straining not to speak like himself , not to play his proper role . The play ...
... speak like himself at all times . Mimicry , however , introduces a complication : a violation of decorum , so to speak , on the part of the character , who is straining not to speak like himself , not to play his proper role . The play ...
Pagina 98
... speak , and they tell us what they are . When he came to revise the play for inclusion in the Folio of 1616 , he found much to add , but little to change . Prose predominates over verse in Every Man in his Humour ( Quarto version of ...
... speak , and they tell us what they are . When he came to revise the play for inclusion in the Folio of 1616 , he found much to add , but little to change . Prose predominates over verse in Every Man in his Humour ( Quarto version of ...
Inhoudsopgave
Antecedents | 1 |
Prose as Prose | 41 |
Rhetorics Tinkling Bell 000 | 90 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
antimasque antithesis antithetic baroque Bartholomew Fair becomes Ben Jonson Busy character Ciceronian clause Clerimont Cokes comedy comic prose court courtly Crites Croll curt period curt style Cynthia's Revels Disc dramatic E. K. Chambers effect Elizabethan English Epicene euery Euphuism fact Fastidious final Folio folly fools Gascoigne giue grammatical haue Herford Herford and Simpson humors Hymenaei John Lyly Jonson Jonsonian kind king ladies language linguistic linguistic satire liue logical London loue Love Love Restored Lyly masque matter Mercury merely metaphor mimicry Molière moral Morose Morose's nature neuer Overdo Ovid perhaps phrases play playwright plot Plutus Poetaster poetry puppet Puritan Quarlous Quarto realism rhetorical rhythm satire scene sense sentence Shakespeare shee Silent Woman speak speaker speech spirit stage stylistic symbol symmetry syntactic syntax talk tends theater thee things thou tion Truewit Tucca turn verb verbal verse Volpone vpon Wasp whole Winwife words writers