The SonnetsCambridge University Press, 22 jun 2006 The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For this second edition of The Sonnets, Stephen Orgel has written a new introduction to Shakespeare's best-loved and most widely read poems. In a series of focused readings he probes the sonnets' sexual and temperamental ambiguity as well as their complex textual history, and explores the difficulties editors face when modernising the spelling, punctuation and layout of the 1609 quarto. Orgel reminds us that the order in which the sonnets were composed bears no relation to the order in which they appear in the quarto and he warns against reading them biographically. This edition retains the text prepared by G. Blakemore Evans, together with his notes and commentary. |
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Pagina
... praises Shakespeare's 'sugred Sonnets among his private friends'; and while it is difficult to imagine 'sugred' applying to poems like 'They that have pow'r to hurt and will do none' (94) or 'Th'expense of spirit in a waste of shame ...
... praises Shakespeare's 'sugred Sonnets among his private friends'; and while it is difficult to imagine 'sugred' applying to poems like 'They that have pow'r to hurt and will do none' (94) or 'Th'expense of spirit in a waste of shame ...
Pagina
... praise of Leander is much more frankly sexual than that of Hero, and specifically homosexual. Gods and men pine away for Hero, but the measure of Leander's beauty is not that women desire him, but that men do: 'Jove might have sipped ...
... praise of Leander is much more frankly sexual than that of Hero, and specifically homosexual. Gods and men pine away for Hero, but the measure of Leander's beauty is not that women desire him, but that men do: 'Jove might have sipped ...
Pagina
... praise becomes increasingly apparent as we read further — it is ultimately not cosmetics, but the dark beauty herself, 'beauty's successive heir', that, through her actions, slanders beauty 'with a bastard shame'. She is an emblem of ...
... praise becomes increasingly apparent as we read further — it is ultimately not cosmetics, but the dark beauty herself, 'beauty's successive heir', that, through her actions, slanders beauty 'with a bastard shame'. She is an emblem of ...
Pagina
... praise the overwhelming force of Shakespeare's imagination, the theme as expressed in the Sonnets is of relentless failure; the poems, over and over, are about self-deception and betrayal, and about the inadequacy of the mind, or the ...
... praise the overwhelming force of Shakespeare's imagination, the theme as expressed in the Sonnets is of relentless failure; the poems, over and over, are about self-deception and betrayal, and about the inadequacy of the mind, or the ...
Pagina
... praise of the young man to vaunting instead the power of the poet, power even over death — the theme is often repeated: 'Gainst death and all oblivious enmity Shall you pace forth So, till the Judgement that yourself arise, You live in ...
... praise of the young man to vaunting instead the power of the poet, power even over death — the theme is often repeated: 'Gainst death and all oblivious enmity Shall you pace forth So, till the Judgement that yourself arise, You live in ...
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The Commentary | 155 |
Textual analysis | 203 |
Manuscript copies of the Sonnets | 214 |
Reading list | 219 |
Index of first lines | 222 |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
A. B. Grosart Abbott appearance beauty beauty’s beloved Benson Booth suggests Capell Capell’s Collation notes compare line compositor conj context couplet Dark Lady death dost doth edited editors Elizabethan emendation eyes fair false favour flowers Gildon grace hath headnote heart Hood implied Ingram and Redpath Kerrigan kind line 14 line 9 Lintott live looks loue love i.e. love’s lover Lover’s Complaint Malone meaning metaphor metonymy mind misreading mistress moral Muse nature Nature’s night notes for Sonnet Ovid Passionate Pilgrim perhaps phrase play poems poet poet’s pow’r praise Q 12 Sonnet Q Sonnet Q variant quatrain Rape of Lucrece reading reference rhyme Rollins seems sense sexual Shakespeare Shakespeare’s Sonnets Sonnet 15 Sonnet 27 Sonnet 31 Sonnet 44 soul spirit summer’s sweet thee theme thine things Thorpe’s thou art thought Tilley Time’s true truth Tucker variant form Venus and Adonis verse words worth youth