The SonnetsCambridge University Press, 22 jun 2006 The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For this second edition of The Sonnets, Stephen Orgel has written a new introduction to Shakespeare's best-loved and most widely read poems. In a series of focused readings he probes the sonnets' sexual and temperamental ambiguity as well as their complex textual history, and explores the difficulties editors face when modernising the spelling, punctuation and layout of the 1609 quarto. Orgel reminds us that the order in which the sonnets were composed bears no relation to the order in which they appear in the quarto and he warns against reading them biographically. This edition retains the text prepared by G. Blakemore Evans, together with his notes and commentary. |
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... poet than as a playwright. Indeed, during his life, his best seller by a wide margin, far outstripping the modern ... poet's dramatic imagination. The biography, which is ample by the standards of the time — we have more hard ...
... poet than as a playwright. Indeed, during his life, his best seller by a wide margin, far outstripping the modern ... poet's dramatic imagination. The biography, which is ample by the standards of the time — we have more hard ...
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... poet's name by evoking his best-known poem. Shakespeare clearly had nothing to do with the book's publication ... poet in the process of revision. This is a reasonable but not inevitable assumption: Thorpe's copies certainly did not come ...
... poet's name by evoking his best-known poem. Shakespeare clearly had nothing to do with the book's publication ... poet in the process of revision. This is a reasonable but not inevitable assumption: Thorpe's copies certainly did not come ...
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... poet's love for the beautiful young man, 'the master—mistress of my passion' (Sonnet 20), be part of this cultural scene? The most direct answer is that sodomy was not equivalent to homoeroticism, and English Renaissance culture did not ...
... poet's love for the beautiful young man, 'the master—mistress of my passion' (Sonnet 20), be part of this cultural scene? The most direct answer is that sodomy was not equivalent to homoeroticism, and English Renaissance culture did not ...
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... poet is captivated by a beautiful, aristocratic youth — perhaps the same young man, perhaps not — who reciprocates his love for a time, but then treats him with coldness, prefers another writer, has an affair with the poet's mistress; the ...
... poet is captivated by a beautiful, aristocratic youth — perhaps the same young man, perhaps not — who reciprocates his love for a time, but then treats him with coldness, prefers another writer, has an affair with the poet's mistress; the ...
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... poet or the Dark Lady has ever been proposed. Though the Sonnets must be, in some respect, autobiographical, we ... poet's successful war against Time on behalf of the beloved young man, is answered by 16, 'But wherefore do not you ...
... poet or the Dark Lady has ever been proposed. Though the Sonnets must be, in some respect, autobiographical, we ... poet's successful war against Time on behalf of the beloved young man, is answered by 16, 'But wherefore do not you ...
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The Commentary | 155 |
Textual analysis | 203 |
Manuscript copies of the Sonnets | 214 |
Reading list | 219 |
Index of first lines | 222 |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
A. B. Grosart Abbott appearance beauty beauty’s beloved Benson Booth suggests Capell Capell’s Collation notes compare line compositor conj context couplet Dark Lady death dost doth edited editors Elizabethan emendation eyes fair false favour flowers Gildon grace hath headnote heart Hood implied Ingram and Redpath Kerrigan kind line 14 line 9 Lintott live looks loue love i.e. love’s lover Lover’s Complaint Malone meaning metaphor metonymy mind misreading mistress moral Muse nature Nature’s night notes for Sonnet Ovid Passionate Pilgrim perhaps phrase play poems poet poet’s pow’r praise Q 12 Sonnet Q Sonnet Q variant quatrain Rape of Lucrece reading reference rhyme Rollins seems sense sexual Shakespeare Shakespeare’s Sonnets Sonnet 15 Sonnet 27 Sonnet 31 Sonnet 44 soul spirit summer’s sweet thee theme thine things Thorpe’s thou art thought Tilley Time’s true truth Tucker variant form Venus and Adonis verse words worth youth