The SonnetsThe New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For this second edition of The Sonnets, Stephen Orgel has written a new introduction to Shakespeare's best-loved and most widely read poems. In a series of focused readings he probes the sonnets' sexual and temperamental ambiguity as well as their complex textual history, and explores the difficulties editors face when modernising the spelling, punctuation and layout of the 1609 quarto. Orgel reminds us that the order in which the sonnets were composed bears no relation to the order in which they appear in the quarto and he warns against reading them biographically. This edition retains the text prepared by G. Blakemore Evans, together with his notes and commentary. |
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Pagina
Gender here is entirely permeable; the King's erotic imagination expands Shakespeare's 'master—mistress' conceit into ... Will, is also that of both the friend in the 'Dark Lady' narrative and of the Dark Lady's husband; 107 refers to a ...
Gender here is entirely permeable; the King's erotic imagination expands Shakespeare's 'master—mistress' conceit into ... Will, is also that of both the friend in the 'Dark Lady' narrative and of the Dark Lady's husband; 107 refers to a ...
Pagina
the late eighteenth century, and no remotely satisfactory identification of the beloved youth, the rival poet or the Dark Lady has ever been proposed. Though the Sonnets must be, in some respect, autobiographical, we simply know too ...
the late eighteenth century, and no remotely satisfactory identification of the beloved youth, the rival poet or the Dark Lady has ever been proposed. Though the Sonnets must be, in some respect, autobiographical, we simply know too ...
Pagina
Loving women The poems addressed to the 'Dark Lady' begin with a justification of her complexion — it is assumed from the outset that her variance from the traditional ideal requires a justification. In the old age black was not counted ...
Loving women The poems addressed to the 'Dark Lady' begin with a justification of her complexion — it is assumed from the outset that her variance from the traditional ideal requires a justification. In the old age black was not counted ...
Pagina
... the intruding mistress and the rival poet, and fully articulated in the subsequent sonnets to the deceitful Dark Lady, ... cynical, and witty: In nothing art thou black save in thy deeds, And thence this slander as I think proceeds.
... the intruding mistress and the rival poet, and fully articulated in the subsequent sonnets to the deceitful Dark Lady, ... cynical, and witty: In nothing art thou black save in thy deeds, And thence this slander as I think proceeds.
Pagina 155
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Inhoudsopgave
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The Commentary | 155 |
Textual analysis | 203 |
Manuscript copies of the Sonnets | 214 |
Reading list | 219 |
Index of first lines | 222 |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
A. B. Grosart Abbott appearance beauty beauty’s beloved Benson Booth suggests Capell Capell’s Collation notes compare line compositor conj context couplet Dark Lady death dost doth edited editors Elizabethan emendation eyes fair false favour flowers Gildon grace hath headnote heart Hood implied Ingram and Redpath Kerrigan kind line 14 line 9 Lintott live looks loue love i.e. love’s lover Lover’s Complaint Malone meaning metaphor metonymy mind misreading mistress moral Muse nature Nature’s night notes for Sonnet Ovid Passionate Pilgrim perhaps phrase play poems poet poet’s pow’r praise Q 12 Sonnet Q Sonnet Q variant quatrain Rape of Lucrece reading reference rhyme Rollins seems sense sexual Shakespeare Shakespeare’s Sonnets Sonnet 15 Sonnet 27 Sonnet 31 Sonnet 44 soul spirit summer’s sweet thee theme thine things Thorpe’s thou art thought Tilley Time’s true truth Tucker variant form Venus and Adonis verse words worth youth