The Artistry of Shakespeare's ProseRoutledge, 13 sep 2013 - 464 pagina's First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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Pagina
... dealing with characters merely, but with three-dimensional persons is paralleled by the fact that he is not dealing with a setting verbally described but three-dimensionally realized, with action that actually occurs in time and space,
... dealing with characters merely, but with three-dimensional persons is paralleled by the fact that he is not dealing with a setting verbally described but three-dimensionally realized, with action that actually occurs in time and space,
Pagina
... that 'At one point in the opening scene of the play, Malevole, left alone with a trusted friend, drops his disguise and speaks verse in his own character of Altofronto; when 6 a third person enters, he returns to prose. The change.
... that 'At one point in the opening scene of the play, Malevole, left alone with a trusted friend, drops his disguise and speaks verse in his own character of Altofronto; when 6 a third person enters, he returns to prose. The change.
Pagina
Brian Vickers. a third person enters, he returns to prose. The change is strikingly emphasized by the stage direction ... person from a superior class talks with the clown then he too descends to prose, as if to show the pervasive effect ...
Brian Vickers. a third person enters, he returns to prose. The change is strikingly emphasized by the stage direction ... person from a superior class talks with the clown then he too descends to prose, as if to show the pervasive effect ...
Pagina
... person, and Milton Crane has even argued that Shakespeare's greatest triumph as a prose-writer was in 'the prose of denigration' (p. 187). The most comprehensive statement of the division is that by Miss Tschopp, in the careful ...
... person, and Milton Crane has even argued that Shakespeare's greatest triumph as a prose-writer was in 'the prose of denigration' (p. 187). The most comprehensive statement of the division is that by Miss Tschopp, in the careful ...
Pagina
... person is individualized by his recurrent choice of a particular sort of image; such as Othello's language.4 vi. objective imagery: where a character is consistently described by other people in the same terms: Richard III as a ...
... person is individualized by his recurrent choice of a particular sort of image; such as Othello's language.4 vi. objective imagery: where a character is consistently described by other people in the same terms: Richard III as a ...
Inhoudsopgave
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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Veelvoorkomende woorden en zinsdelen
abuse action answer appears applied argument attitude becomes begins better character clown comedy comes comic complete continues contrast Coriolanus course created critics death deflating described detail device direct effect Elizabethan equivocation expressed eyes Falstaff feeling figure final follows fool force further give given goes Hamlet hand hath human humour Iago imagery images important ironic King language later lines logic look lord master meaning mock nature never normal once Pandarus parallel Parolles pattern perhaps person piece play plot present produces prose reason repartee repetition rhetorical scene seems seen sense serious Shakespeare shown significant situation soliloquy speak speech stage structure style stylistic suggest symmetries tell thee thing thou Troilus true turn verse whole witty