The Artistry of Shakespeare's ProseRoutledge, 13 sep 2013 - 464 pagina's First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... nature of illusion – these discussions hardly constitute a 'theme' in the accepted meaning of the word. Similarly if ... natural for characters to say that they are bewitched, and thus some recent discussions of this play in terms of its ...
... nature of illusion – these discussions hardly constitute a 'theme' in the accepted meaning of the word. Similarly if ... natural for characters to say that they are bewitched, and thus some recent discussions of this play in terms of its ...
Pagina
... nature of Shakespeare's language is organically related to the development of each play. Within the plays as a whole Shakespeare makes considerable use of prose, and before studying this aspect of his art it is as well to remind ...
... nature of Shakespeare's language is organically related to the development of each play. Within the plays as a whole Shakespeare makes considerable use of prose, and before studying this aspect of his art it is as well to remind ...
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... nature of that prose. However, a number of valuable guiding principles have been exposed which must be the basis of any more detailed analysis. Some of the principles on which Shakespeare used prose have been so long recognized as to be ...
... nature of that prose. However, a number of valuable guiding principles have been exposed which must be the basis of any more detailed analysis. Some of the principles on which Shakespeare used prose have been so long recognized as to be ...
Pagina
... natural welcome (I, ii; III, ii). Again Shakespeare uses prose for an inset dissimulation, if briefly, for the scene in which Lucentio disguised as a school-master tries to woo Bianca under cover of a grammar lesson in which they ...
... natural welcome (I, ii; III, ii). Again Shakespeare uses prose for an inset dissimulation, if briefly, for the scene in which Lucentio disguised as a school-master tries to woo Bianca under cover of a grammar lesson in which they ...
Pagina
... Nature asserts itself, and the variations between the two media can reflect this and many other transitions. From that brief excursus into the early plays we see already the imaginative speed with which Shakespeare can move between ...
... Nature asserts itself, and the variations between the two media can reflect this and many other transitions. From that brief excursus into the early plays we see already the imaginative speed with which Shakespeare can move between ...
Inhoudsopgave
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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