The Artistry of Shakespeare's ProseRoutledge, 13 sep 2013 - 464 pagina's First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... master and servant (both of Syracuse, this time) which begins in verse and continues thus for nearly forty lines before suddenly descending to prose. At this point in the scene, with the entry of Adriana and a romantic topic, the medium ...
... master and servant (both of Syracuse, this time) which begins in verse and continues thus for nearly forty lines before suddenly descending to prose. At this point in the scene, with the entry of Adriana and a romantic topic, the medium ...
Pagina
... master to prose, who, when left alone, either bobs up to verse (Proteus and Speed, I, i, 70 ff.); or, like Antipholus or any romantic hero, despite the presence of the clown, reverts to verse at the entry of his beloved (Speed ...
... master to prose, who, when left alone, either bobs up to verse (Proteus and Speed, I, i, 70 ff.); or, like Antipholus or any romantic hero, despite the presence of the clown, reverts to verse at the entry of his beloved (Speed ...
Pagina
... burlesque of Richard Ill's long denial of the commodity, and the crook's ultimate recognition of its power parallels his master's final surrender to it on the eve of Bosworth. Again, both the deception and rebellion scenes in 2 Henry VI.
... burlesque of Richard Ill's long denial of the commodity, and the crook's ultimate recognition of its power parallels his master's final surrender to it on the eve of Bosworth. Again, both the deception and rebellion scenes in 2 Henry VI.
Pagina
... master's pretence to Romance, either by satirizing the symptoms of Romantic Love, or by juxtaposing it with the realities of lower-class desire. In later comedies this parallel action will be much more subtle. The second conclusion to ...
... master's pretence to Romance, either by satirizing the symptoms of Romantic Love, or by juxtaposing it with the realities of lower-class desire. In later comedies this parallel action will be much more subtle. The second conclusion to ...
Pagina
... given by editors as 'asides', although they definitely stand outside the scene and are not referred to by the other characters). So the clownish servant Grumio comments on the love-negotiations between his master Petruchio (who has just.
... given by editors as 'asides', although they definitely stand outside the scene and are not referred to by the other characters). So the clownish servant Grumio comments on the love-negotiations between his master Petruchio (who has just.
Inhoudsopgave
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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Veelvoorkomende woorden en zinsdelen
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