The Artistry of Shakespeare's ProseRoutledge, 13 sep 2013 - 464 pagina's First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
Vanuit het boek
Resultaten 1-5 van 51
Pagina
... Lord Say, whom the mob cruelly murders (IV, vii, 59 ff.), then with Buckingham and Clifford, whose patriotic verse succeeds in winning away the fickle mob from Cade (IV, viii – so prefiguring the triumph of verse over prose in the twin ...
... Lord Say, whom the mob cruelly murders (IV, vii, 59 ff.), then with Buckingham and Clifford, whose patriotic verse succeeds in winning away the fickle mob from Cade (IV, viii – so prefiguring the triumph of verse over prose in the twin ...
Pagina
... Lord out hunting, who decides to play a trick on him by dressing him up and treating him like a nobleman when he awakes, being aided by the convenient arrival of a troupe of players with a boy to play the maid's part. Sly duly awakes ...
... Lord out hunting, who decides to play a trick on him by dressing him up and treating him like a nobleman when he awakes, being aided by the convenient arrival of a troupe of players with a boy to play the maid's part. Sly duly awakes ...
Pagina
... Lord Say 'for selling the dukedom of Maine' with a pun (given the Elizabethan spelling of 'maim') which he elaborates metaphorically, but in an obvious and tedious manner as he tries to arouse the mob's anger: And good reason; for ...
... Lord Say 'for selling the dukedom of Maine' with a pun (given the Elizabethan spelling of 'maim') which he elaborates metaphorically, but in an obvious and tedious manner as he tries to arouse the mob's anger: And good reason; for ...
Pagina
Brian Vickers. Lord Say his punning, swaggering imagery reaches its height: 'Ah, thou say, thou serge, nay thou buckram lord, now art thou within point-blank of our jurisdiction regal' (this portentous inversion of noun and adjective is ...
Brian Vickers. Lord Say his punning, swaggering imagery reaches its height: 'Ah, thou say, thou serge, nay thou buckram lord, now art thou within point-blank of our jurisdiction regal' (this portentous inversion of noun and adjective is ...
Pagina
Je hebt de weergavelimiet voor dit boek bereikt.
Je hebt de weergavelimiet voor dit boek bereikt.
Inhoudsopgave
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
abuse action answer appears applied argument attitude becomes begins better character clown comedy comes comic complete continues contrast Coriolanus course created critics death deflating described detail device direct effect Elizabethan equivocation expressed eyes Falstaff feeling figure final follows fool force further give given goes Hamlet hand hath human humour Iago imagery images important ironic King language later lines logic look lord master meaning mock nature never normal once Pandarus parallel Parolles pattern perhaps person piece play plot present produces prose reason repartee repetition rhetorical scene seems seen sense serious Shakespeare shown significant situation soliloquy speak speech stage structure style stylistic suggest symmetries tell thee thing thou Troilus true turn verse whole witty