The Artistry of Shakespeare's ProseRoutledge, 13 sep 2013 - 464 pagina's First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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Pagina
... logic; faults in speech, such as malapropism, confusion, repetition and digression; and various individualizing linguistic abnormalities: catch-phrases, foreign or regional English, modish affectations, an exaggerated fondness for ...
... logic; faults in speech, such as malapropism, confusion, repetition and digression; and various individualizing linguistic abnormalities: catch-phrases, foreign or regional English, modish affectations, an exaggerated fondness for ...
Pagina
... logic and malaproprism appear only once, in the pun on the destruction to be wreaked by the rebels and especially by ... logic that this usually involves for Shakespeare. In the repartee scenes there are some marks of logical processes ...
... logic and malaproprism appear only once, in the pun on the destruction to be wreaked by the rebels and especially by ... logic that this usually involves for Shakespeare. In the repartee scenes there are some marks of logical processes ...
Pagina
... logic. The range of linguistic comedy is much smaller in The Taming of the Shrew, although we do have the first of the rather pathetic characters who depend on proverbs for consolation, as the unlucky suitors Hortensio and Grumio offer ...
... logic. The range of linguistic comedy is much smaller in The Taming of the Shrew, although we do have the first of the rather pathetic characters who depend on proverbs for consolation, as the unlucky suitors Hortensio and Grumio offer ...
Pagina
... logic in drawing attention to the remarkable number of disjunctive formulae used in Shakespeare's prose (pp. 23–40), a trait which stems from a constant interest in cause and effect, consequent and antecedent, and results in the ...
... logic in drawing attention to the remarkable number of disjunctive formulae used in Shakespeare's prose (pp. 23–40), a trait which stems from a constant interest in cause and effect, consequent and antecedent, and results in the ...
Pagina
... logical syntax in Shakespeare produces the utmost freedom and flexibility, like a ground bass on which an indefinite number of variations may be played' (p. 31). Indeed this flexibility is something of an embarrassment to anyone trying ...
... logical syntax in Shakespeare produces the utmost freedom and flexibility, like a ground bass on which an indefinite number of variations may be played' (p. 31). Indeed this flexibility is something of an embarrassment to anyone trying ...
Inhoudsopgave
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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Veelvoorkomende woorden en zinsdelen
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