The Artistry of Shakespeare's ProseRoutledge, 13 sep 2013 - 464 pagina's First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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Pagina
... Hamlet Ellis-Fermor Ellis-Fermor Evans Foakes Foakes Fraser Frye Gibson Iconoclastes Griffith That Shakespeherian Rag Hawkes The Living Image Henn Shakespeare, Spenser, Donne Kermode Themes and Variations in Shakespeare's Sonnets ...
... Hamlet Ellis-Fermor Ellis-Fermor Evans Foakes Foakes Fraser Frye Gibson Iconoclastes Griffith That Shakespeherian Rag Hawkes The Living Image Henn Shakespeare, Spenser, Donne Kermode Themes and Variations in Shakespeare's Sonnets ...
Pagina
... Hamlet) there will be discussions of the art and styles of acting, the role of imagination, the nature of illusion – these discussions hardly constitute a 'theme' in the accepted meaning of the word. Similarly if the plot involves a ...
... Hamlet) there will be discussions of the art and styles of acting, the role of imagination, the nature of illusion – these discussions hardly constitute a 'theme' in the accepted meaning of the word. Similarly if the plot involves a ...
Pagina
... Hamlet, Lear, Timon of Athens and Coriolanus, while its importance for Mercutio or Iago bulks far larger than the statistics would suggest. To mention these two essentially prose characters (although of course both are also given verse) ...
... Hamlet, Lear, Timon of Athens and Coriolanus, while its importance for Mercutio or Iago bulks far larger than the statistics would suggest. To mention these two essentially prose characters (although of course both are also given verse) ...
Pagina
... Hamlet, Edgar). I think that on balance the advantages of this detailed study of one medium outweigh its obvious limitations – and I hope that it could be used as a basis for the much harder but more rewarding analysis of the poetry ...
... Hamlet, Edgar). I think that on balance the advantages of this detailed study of one medium outweigh its obvious limitations – and I hope that it could be used as a basis for the much harder but more rewarding analysis of the poetry ...
Pagina
... Hamlet and the real madness of Ophelia, a contrast which is repeated with still greater intensity between Edgar and Lear. This last category raises a very important point about the alternation between prose and verse. Given that the ...
... Hamlet and the real madness of Ophelia, a contrast which is repeated with still greater intensity between Edgar and Lear. This last category raises a very important point about the alternation between prose and verse. Given that the ...
Inhoudsopgave
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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Veelvoorkomende woorden en zinsdelen
abuse action answer appears applied argument attitude becomes begins better character clown comedy comes comic complete continues contrast Coriolanus course created critics death deflating described detail device direct effect Elizabethan equivocation expressed eyes Falstaff feeling figure final follows fool force further give given goes Hamlet hand hath human humour Iago imagery images important ironic King language later lines logic look lord master meaning mock nature never normal once Pandarus parallel Parolles pattern perhaps person piece play plot present produces prose reason repartee repetition rhetorical scene seems seen sense serious Shakespeare shown significant situation soliloquy speak speech stage structure style stylistic suggest symmetries tell thee thing thou Troilus true turn verse whole witty