Diary Fiction: Writing as ActionH. Porter Abbott explores the role of the personal diary and its use as a literary strategy in a number of representative works in fiction. He asserts that the device of the diary can give a work a unique literary reflexivity: the diary not only tells the tale but directly influences its development. This book serves as a guide to the field of diary fiction and at the same time sheds new light on issues central to the study of narrative and autobiography. |
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Pagina 51
a discussed how the special reflexive diary closes the gap between writing and living ( how acts are born or suppressed in the text ) ; as a writer's diary , it can also close the gap between public art and private life .
a discussed how the special reflexive diary closes the gap between writing and living ( how acts are born or suppressed in the text ) ; as a writer's diary , it can also close the gap between public art and private life .
Pagina 56
But though Rousseau believed he was writing an entirely expressive text , he was also composing the kind of reflexive text we discussed in Chapter 2 , a text that in Rousseau's case exerted its own control over its writer .
But though Rousseau believed he was writing an entirely expressive text , he was also composing the kind of reflexive text we discussed in Chapter 2 , a text that in Rousseau's case exerted its own control over its writer .
Pagina 153
The tentative mimetic corruption I have just discussed is something Claude Simon accomplishes handily when , for example , he orchestrates the text of Les corps conducteurs from five utterly disjoined situations .
The tentative mimetic corruption I have just discussed is something Claude Simon accomplishes handily when , for example , he orchestrates the text of Les corps conducteurs from five utterly disjoined situations .
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Inhoudsopgave
Preface | 9 |
Functions of the Diary Strategy | 15 |
The Special Reflexive Function of the Diary Strategy | 38 |
Copyright | |
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