Modern Arts Criticism: A Biographical and Critical Guide to Painters, Sculptors, Photographers, and Architects from the Beginning of the Modern Era to the Present, Volume 2Gale Research, 1992 - 660 pagina's Presenting biographical background and excerpted critical assessments of important visual artists from the late 19th century to the present, Modern Arts Criticism should be of interest to teachers and students of art, art history, design, photography, the humanities, and architecture. The book culls hundreds of critical essays from books and periodicals and presents them in one convenient source. |
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Pagina 66
... Present Joann Prosyniuk. of a strict perspective - approach have yielded slowly to a free , harmonic ordering of the picture - surface primarily dependent on the individual artist's sensibility . The single fixed viewpoint dominating the ...
... Present Joann Prosyniuk. of a strict perspective - approach have yielded slowly to a free , harmonic ordering of the picture - surface primarily dependent on the individual artist's sensibility . The single fixed viewpoint dominating the ...
Pagina 147
... Present Joann Prosyniuk. masters , namely , material forms , but he has his own thoughts to express , and these thoughts differ from those of the renaissance painters , as the two ages differ , with a corresponding difference between his ...
... Present Joann Prosyniuk. masters , namely , material forms , but he has his own thoughts to express , and these thoughts differ from those of the renaissance painters , as the two ages differ , with a corresponding difference between his ...
Pagina 234
... Present Joann Prosyniuk. · ume of mass . [ We ] take four planes and we construct with them the same volume as of four tons of mass . Thus we bring back to sculpture the line as a direction and in it we affirm depth as the one form of ...
... Present Joann Prosyniuk. · ume of mass . [ We ] take four planes and we construct with them the same volume as of four tons of mass . Thus we bring back to sculpture the line as a direction and in it we affirm depth as the one form of ...
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Modern Arts Criticism: A Biographical and Critical Guide to ..., Volume 2 Joann Prosyniuk Fragmentweergave - 1991 |
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Abbott abstract aesthetic Albright American art architecture artist Barbara Hepworth beauty become Berenice Abbott building Burchfield Calder camera career Cartier-Bresson Chagall Chagall's Charles Burchfield Chirico color composition construction Cornell Cornell's created critical Cubist Dada Diego Rivera Dix's drawings Duchamp early Edward Hopper Eero Eero Saarinen elements essay date exhibition experience expression feeling figure film following excerpt fresco Friedlander Friedlander's Gabo Gabo's geometric Giorgio de Chirico Henri Cartier-Bresson human idea Ivan Albright Joseph Cornell Kandinsky Kandinsky's landscape later Lee Friedlander light look Marc Chagall material means ment mobiles Modern Art motif movement mural nature Naum Gabo never objects painter painting Paris photographs Picasso pictorial planes plastic portrait Ray's rayograph realistic reality Rivera Saarinen scene sculpture seems sense shapes space structure style surface Surrealism Surrealist symbol technique theme things tion ture vision visual watercolors York