Modern Arts Criticism: A Biographical and Critical Guide to Painters, Sculptors, Photographers, and Architects from the Beginning of the Modern Era to the Present, Volume 2Gale Research, 1992 - 660 pagina's Presenting biographical background and excerpted critical assessments of important visual artists from the late 19th century to the present, Modern Arts Criticism should be of interest to teachers and students of art, art history, design, photography, the humanities, and architecture. The book culls hundreds of critical essays from books and periodicals and presents them in one convenient source. |
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Pagina 52
... nature in American art and letters scarcely ex- isted in the eighteenth century . There was little room for it in the prevailing Deist philosophy with its pragmatism and common sense . But as Deism waned and Transcen- dentalism grew in ...
... nature in American art and letters scarcely ex- isted in the eighteenth century . There was little room for it in the prevailing Deist philosophy with its pragmatism and common sense . But as Deism waned and Transcen- dentalism grew in ...
Pagina 53
... nature . The old Emersonian concepts of nature and beauty remained remarkably intact . " A spiri- tual or moral content of human experience is plainly em- bodied in Inness ' view of nature , " his biographer , Eliza- beth McCausland ...
... nature . The old Emersonian concepts of nature and beauty remained remarkably intact . " A spiri- tual or moral content of human experience is plainly em- bodied in Inness ' view of nature , " his biographer , Eliza- beth McCausland ...
Pagina 275
... natural incli- nation was anti - naturalistic , geometric , abstract , which explains her affinity with the world of Mondrian . Yet at the same time this anti - naturalism is contradicted by an exceptional sensitivity to nature and the ...
... natural incli- nation was anti - naturalistic , geometric , abstract , which explains her affinity with the world of Mondrian . Yet at the same time this anti - naturalism is contradicted by an exceptional sensitivity to nature and the ...
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Modern Arts Criticism: A Biographical and Critical Guide to ..., Volume 2 Joann Prosyniuk Fragmentweergave - 1991 |
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Abbott abstract aesthetic Albright American art architecture artist Barbara Hepworth beauty become Berenice Abbott building Burchfield Calder camera career Cartier-Bresson Chagall Chagall's Charles Burchfield Chirico color composition construction Cornell Cornell's created critical Cubist Dada Diego Rivera Dix's drawings Duchamp early Edward Hopper Eero Eero Saarinen elements essay date exhibition experience expression feeling figure film following excerpt fresco Friedlander Friedlander's Gabo Gabo's geometric Giorgio de Chirico Henri Cartier-Bresson human idea Ivan Albright Joseph Cornell Kandinsky Kandinsky's landscape later Lee Friedlander light look Marc Chagall material means ment mobiles Modern Art motif movement mural nature Naum Gabo never objects painter painting Paris photographs Picasso pictorial planes plastic portrait Ray's rayograph realistic reality Rivera Saarinen scene sculpture seems sense shapes space structure style surface Surrealism Surrealist symbol technique theme things tion ture vision visual watercolors York