Modern Arts Criticism: A Biographical and Critical Guide to Painters, Sculptors, Photographers, and Architects from the Beginning of the Modern Era to the Present, Volume 2Gale Research, 1992 - 660 pagina's Presenting biographical background and excerpted critical assessments of important visual artists from the late 19th century to the present, Modern Arts Criticism should be of interest to teachers and students of art, art history, design, photography, the humanities, and architecture. The book culls hundreds of critical essays from books and periodicals and presents them in one convenient source. |
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Pagina 130
... Paris alone , and even today it seems to me that there is no greater revolution of the eye than the one I came across on arriving in Paris in 1910. The landscapes , the figures of Cézanne , Manet , Seu- rat , Renoir , van Gogh , the ...
... Paris alone , and even today it seems to me that there is no greater revolution of the eye than the one I came across on arriving in Paris in 1910. The landscapes , the figures of Cézanne , Manet , Seu- rat , Renoir , van Gogh , the ...
Pagina 137
... Paris 1910-14 " and " Rus- sia and Berlin 1914-22 , " one saw an artist vibrant in his response to the diverse worlds he inhabited , an artist keen- ly observant of both familiar surroundings and new expe- riences , and eager to provide ...
... Paris 1910-14 " and " Rus- sia and Berlin 1914-22 , " one saw an artist vibrant in his response to the diverse worlds he inhabited , an artist keen- ly observant of both familiar surroundings and new expe- riences , and eager to provide ...
Pagina 378
... Paris cubist scenes , Paris studio objects , and Paris cubist portraits , to do a unique canvas , bright with colors almost never used in somber cubist painting . Its background was a geometrically styl- ized Mexican mountain landscape ...
... Paris cubist scenes , Paris studio objects , and Paris cubist portraits , to do a unique canvas , bright with colors almost never used in somber cubist painting . Its background was a geometrically styl- ized Mexican mountain landscape ...
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Modern Arts Criticism: A Biographical and Critical Guide to ..., Volume 2 Joann Prosyniuk Fragmentweergave - 1991 |
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Abbott abstract aesthetic Albright American art architecture artist Barbara Hepworth beauty become Berenice Abbott building Burchfield Calder camera career Cartier-Bresson Chagall Chagall's Charles Burchfield Chirico color composition construction Cornell Cornell's created critical Cubist Dada Diego Rivera Dix's drawings Duchamp early Edward Hopper Eero Eero Saarinen elements essay date exhibition experience expression feeling figure film following excerpt fresco Friedlander Friedlander's Gabo Gabo's geometric Giorgio de Chirico Henri Cartier-Bresson human idea Ivan Albright Joseph Cornell Kandinsky Kandinsky's landscape later Lee Friedlander light look Marc Chagall material means ment mobiles Modern Art motif movement mural nature Naum Gabo never objects painter painting Paris photographs Picasso pictorial planes plastic portrait Ray's rayograph realistic reality Rivera Saarinen scene sculpture seems sense shapes space structure style surface Surrealism Surrealist symbol technique theme things tion ture vision visual watercolors York