Shakespeare-characters; Chiefly Those SubordinateAMS Press, 1863 - 521 pagina's |
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... NIGHT'S DREAM , OTHELLO , IV . 93 V. III VI . MERRY WIVES OF WINDSOR , 139 VII . KING LEAR , 165 VIII . TWELFTH NIGHT , 193 IX . ANTONY AND CLEOPATRA , 213 ALL'S WELL THAT ENDS WELL , TEMPEST , X. PAGE.
... NIGHT'S DREAM , OTHELLO , IV . 93 V. III VI . MERRY WIVES OF WINDSOR , 139 VII . KING LEAR , 165 VIII . TWELFTH NIGHT , 193 IX . ANTONY AND CLEOPATRA , 213 ALL'S WELL THAT ENDS WELL , TEMPEST , X. PAGE.
Pagina 143
... Twelfth Night ” says : — " However we do praise ourselves , Our fancies are more giddy and unfirm , The Duke More longing , wav'ring , sooner lost and worn Than women's are . " I confess that I have so little respect for a jealous man ...
... Twelfth Night ” says : — " However we do praise ourselves , Our fancies are more giddy and unfirm , The Duke More longing , wav'ring , sooner lost and worn Than women's are . " I confess that I have so little respect for a jealous man ...
Pagina 163
... Twelfth Night , " and in the " Much Ado About Nothing , " there is also a considerably stronger infusion of the most refined and quintessentialised wit in those two plays , -an absolute desideratum in the legiti- mate comedy , to say ...
... Twelfth Night , " and in the " Much Ado About Nothing , " there is also a considerably stronger infusion of the most refined and quintessentialised wit in those two plays , -an absolute desideratum in the legiti- mate comedy , to say ...
Pagina 191
... tyranny of a conventional code in criticism ? And what would be the condition of the original plot without its powerful , and even indispensable alliance ? VIII . Twelfth Night . VIII . TWELFTH NIGHT . King Lear . 191.
... tyranny of a conventional code in criticism ? And what would be the condition of the original plot without its powerful , and even indispensable alliance ? VIII . Twelfth Night . VIII . TWELFTH NIGHT . King Lear . 191.
Pagina 193
Charles Cowden Clarke. VIII . Twelfth Night . VIII . TWELFTH NIGHT . If any proof were wanting VIII TWELFTH NIGHT,
Charles Cowden Clarke. VIII . Twelfth Night . VIII . TWELFTH NIGHT . If any proof were wanting VIII TWELFTH NIGHT,
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3d Serv action ambition answer Antony Autolycus Banquo bear Beatrice beauty Benedick brother Cæsar Caliban Cassio Celia character cheerful Clown conduct contrivance Cordelia Coriolanus cousin death Desdemona doth drama Duke Enobarbus eyes faith Falconbridge Falstaff fancy father feeling fellow fool gentle gentleman give Hamlet happy hath hear heart Heaven honest honour human humour husband Iago instinct John Julius Cæsar king Lady Lear Leonato look lord Macbeth Malvolio master Master Doctor merry mind mistress moral murder nature never noble Octavius Othello passion perfect person philosophy play plot poet poet's Polonius Pompey poor prince qualities queen recognise replies Richard Richard III Rosalind says scene sense Shakespeare Shylock soldier soul speak speech spirit sweet thee thing Thomas Carlyle thou art thought tion true turn Twelfth Night uttered virtue whole wife Winter's Tale woman womanly women words worthy young