Perspectives by Incongruity, Volume 2Indiana University Press, 1964 - 200 pagina's |
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Pagina 70
Kenneth Burke Stanley Edgar Hyman. Stances ( 1937 ) Acceptance and Passivity Could we not say that all symbolic structures are designed to produce such " acceptance " in one form or another ? In its most trivial form ( where a good ...
Kenneth Burke Stanley Edgar Hyman. Stances ( 1937 ) Acceptance and Passivity Could we not say that all symbolic structures are designed to produce such " acceptance " in one form or another ? In its most trivial form ( where a good ...
Pagina 71
... acceptance . " It involves primarily a matter of emphasis . It takes its color from an attitude towards some reigning symbol of authority , stressing a shift in the allegiance to symbols of authority . It is the heretical aspect of an ...
... acceptance . " It involves primarily a matter of emphasis . It takes its color from an attitude towards some reigning symbol of authority , stressing a shift in the allegiance to symbols of authority . It is the heretical aspect of an ...
Pagina 72
... acceptance . The relation that frames of acceptance bear to symbols of authority inevitably puts the symbolist of change at this tactical disadvantage , warping somewhat the perfect round- ness of his utterance . There is no " no " in ...
... acceptance . The relation that frames of acceptance bear to symbols of authority inevitably puts the symbolist of change at this tactical disadvantage , warping somewhat the perfect round- ness of his utterance . There is no " no " in ...
Inhoudsopgave
The Excursion | 17 |
The Poetic Process | 34 |
From Preface to CounterStatement first edition | 50 |
Copyright | |
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altar analysis appeal Aristotle Arjk artist Aryan aspect attitude audience autoeroticism become burlesque Caesar Cassio character chiasmus Cinna consider conversion criticism Democritus Desdemona dialectical doctrine drama effect eloquence emotion esthetic eyes fact fall feel frame gashouse gang glory Hamlet Heaven Hence Hitler human I. A. Richards Iago Iago's idea ideal imagery imagine ingredients insofar instance interpretation Kenneth Burke kind literary living logic logological look magic matter Matthew Arnold means ment mind motives nature one's Othello pattern of experience perfect philosophy piety play plot poem poet poetic poetry possible principle psychology psychosis purely rational reader reference require ritual romanticism scene scientific sense Shakespeare situation social stanza Stendhal strategy stressing structure suggest symbolic theme things thou thought tion tragedy tragic transvaluation of values Treep truth turn Wawl whereby word writing