The Artistry of Shakespeare's ProseMethuen, 1968 - 452 pagina's |
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Pagina 7
... verse to prose and must react to it quickly ' ( p . 4 ) , for indeed the whole point of that exchange is lost if we do not at once spot the difference . I think that the same principle applies for the distinction between prose and verse ...
... verse to prose and must react to it quickly ' ( p . 4 ) , for indeed the whole point of that exchange is lost if we do not at once spot the difference . I think that the same principle applies for the distinction between prose and verse ...
Pagina 9
Brian Vickers. speaks verse , so as to preserve the dignified tone . A similar trans- ition from serious verse to comic prose and back to verse which involves both Antipholus and Dromio is seen later ( III , ii , 71-151 ) , and for the ...
Brian Vickers. speaks verse , so as to preserve the dignified tone . A similar trans- ition from serious verse to comic prose and back to verse which involves both Antipholus and Dromio is seen later ( III , ii , 71-151 ) , and for the ...
Pagina 10
... verse and thus dominates the stage : first with Lord Say , whom the mob cruelly murders ( IV , vii , 59 ff . ) , then with Buck- ingham and Clifford , whose patriotic verse succeeds in winning away the fickle mob from Cade ( IV , viii ...
... verse and thus dominates the stage : first with Lord Say , whom the mob cruelly murders ( IV , vii , 59 ff . ) , then with Buck- ingham and Clifford , whose patriotic verse succeeds in winning away the fickle mob from Cade ( IV , viii ...
Inhoudsopgave
Shakespeares Use of Prose I | 1 |
A Critical Method | 19 |
From Clown to Character | 52 |
Copyright | |
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abuse action antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath honour humour Iago Iago's imagery images ironic isocolon King lady Lafeu language Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince prose puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse witty words