The Artistry of Shakespeare's ProseMethuen, 1968 - 452 pagina's |
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Pagina 84
... sense , as here ) . Without a pause Shylock moves on to the next stage of the argument , listing the human senses that Jews , like Christians , have and his mounting anger is shown stylistically by a pattern being set up and then broken ...
... sense , as here ) . Without a pause Shylock moves on to the next stage of the argument , listing the human senses that Jews , like Christians , have and his mounting anger is shown stylistically by a pattern being set up and then broken ...
Pagina 89
... sense of frustration which the critic feels , his sense of incapacity to deal with a figure so real , so complex , so well - known , can be gauged by that radical break with his own decorum in which Dr Johnson dropped the formal ...
... sense of frustration which the critic feels , his sense of incapacity to deal with a figure so real , so complex , so well - known , can be gauged by that radical break with his own decorum in which Dr Johnson dropped the formal ...
Pagina 122
... sense , he has had to , given Falstaff's separation from the Prince , but also these characters serve to reduce the ... sense in non- sense : ' I'faith sweetheart , methinks now you are in an excellent good temperality . Your pulsidge ...
... sense , he has had to , given Falstaff's separation from the Prince , but also these characters serve to reduce the ... sense in non- sense : ' I'faith sweetheart , methinks now you are in an excellent good temperality . Your pulsidge ...
Inhoudsopgave
Shakespeares Use of Prose I | 1 |
A Critical Method | 19 |
From Clown to Character | 52 |
Copyright | |
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abuse action antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath honour humour Iago Iago's imagery images ironic isocolon King lady Lafeu language Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince prose puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse witty words