The Artistry of Shakespeare's ProseMethuen, 1968 - 452 pagina's |
Vanuit het boek
Resultaten 1-3 van 88
Pagina 4
... prose through the early comedies and histories , reaching a peak in The Merry Wives of Windsor , which is largely a prose comedy , but having the dominant part in Much Ado , As You Like It and Twelfth Night , being almost equal in bulk ...
... prose through the early comedies and histories , reaching a peak in The Merry Wives of Windsor , which is largely a prose comedy , but having the dominant part in Much Ado , As You Like It and Twelfth Night , being almost equal in bulk ...
Pagina 9
... prose and back to verse which involves both Antipholus and Dromio is seen later ( III , ii , 71-151 ) , and for the third time the entry of the clown reduces the medium to prose in a scene in which the courtezan arrives ( IV , iii , 12 ...
... prose and back to verse which involves both Antipholus and Dromio is seen later ( III , ii , 71-151 ) , and for the third time the entry of the clown reduces the medium to prose in a scene in which the courtezan arrives ( IV , iii , 12 ...
Pagina 332
... prose , on large and small scales , to create unique effects within the world of each play . In Othello the prose is dominated by Iago , and is mainly given to him as a medium in which he can dissemble and mount the intrigue against ...
... prose , on large and small scales , to create unique effects within the world of each play . In Othello the prose is dominated by Iago , and is mainly given to him as a medium in which he can dissemble and mount the intrigue against ...
Inhoudsopgave
Shakespeares Use of Prose I | 1 |
A Critical Method | 19 |
From Clown to Character | 52 |
Copyright | |
6 andere gedeelten niet getoond
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
abuse action antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath honour humour Iago Iago's imagery images ironic isocolon King lady Lafeu language Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince prose puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse witty words