The Artistry of Shakespeare's ProseMethuen, 1968 - 452 pagina's |
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Pagina 233
... present definite ( with a brief use of the infinitive and the present perfect ) , especially the present participle , which is used to suggest the action , situation , and circumstantial detail that have just preceded this moment - the ...
... present definite ( with a brief use of the infinitive and the present perfect ) , especially the present participle , which is used to suggest the action , situation , and circumstantial detail that have just preceded this moment - the ...
Pagina 240
... present chapter I want to suggest not only that the most significant prose is theirs but also that these two early mature tragedies are set apart from those following by the mere fact that the tragic hero , ' being in his right wits ...
... present chapter I want to suggest not only that the most significant prose is theirs but also that these two early mature tragedies are set apart from those following by the mere fact that the tragic hero , ' being in his right wits ...
Pagina 380
... present : ' What , will these hands ne'er be clean ? ' and back to Macbeth's fear of Banquo's ghost ( III , iv ) : ' No more o'that my lord , no more o'that ; you mar all with this starting . ' Even when she remains in the present , the ...
... present : ' What , will these hands ne'er be clean ? ' and back to Macbeth's fear of Banquo's ghost ( III , iv ) : ' No more o'that my lord , no more o'that ; you mar all with this starting . ' Even when she remains in the present , the ...
Inhoudsopgave
Shakespeares Use of Prose I | 1 |
A Critical Method | 19 |
From Clown to Character | 52 |
Copyright | |
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abuse action antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath honour humour Iago Iago's imagery images ironic isocolon King lady Lafeu language Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince prose puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse witty words