The Artistry of Shakespeare's ProseMethuen, 1968 - 452 pagina's |
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Pagina 53
... parallel layers which do not come into contact with each other ( thus the witty page - scenes , although they reflect ironically the behaviour of the upper plot , do not mingle with the plot and could be separated from it without ...
... parallel layers which do not come into contact with each other ( thus the witty page - scenes , although they reflect ironically the behaviour of the upper plot , do not mingle with the plot and could be separated from it without ...
Pagina 181
... parallel , fulfilling our expectations : at the end of this scene ( II , i ) Don Pedro forms the plot which has been prefigured since the beginning ( ' well , if ever thou dost fall from this faith , thou wilt prove a notable argument ...
... parallel , fulfilling our expectations : at the end of this scene ( II , i ) Don Pedro forms the plot which has been prefigured since the beginning ( ' well , if ever thou dost fall from this faith , thou wilt prove a notable argument ...
Pagina 375
... parallel the first but at which only warm water will be served , and the almost antithetical neatness of his change from prodigal to man - hater is shown by the way in which he now takes over Apemantus ' role , mocking the flatterers ...
... parallel the first but at which only warm water will be served , and the almost antithetical neatness of his change from prodigal to man - hater is shown by the way in which he now takes over Apemantus ' role , mocking the flatterers ...
Inhoudsopgave
Shakespeares Use of Prose I | 1 |
A Critical Method | 19 |
From Clown to Character | 52 |
Copyright | |
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abuse action antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath honour humour Iago Iago's imagery images ironic isocolon King lady Lafeu language Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince prose puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse witty words