The Artistry of Shakespeare's ProseMethuen, 1968 - 452 pagina's |
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Pagina 1
... language . At one extreme he is the dramatic poet above all , so much so that ' Shakespearian ' has become a tag to describe any poetry of richness and com- plexity , while at the other his proverbs have passed into the common speech ...
... language . At one extreme he is the dramatic poet above all , so much so that ' Shakespearian ' has become a tag to describe any poetry of richness and com- plexity , while at the other his proverbs have passed into the common speech ...
Pagina 3
... language of the plays . Shakespeare's language is an increasingly subtle medium for re- flecting the differences and interactions between characters , situations and moods , thus we must approach the words not as abstractable entities ...
... language of the plays . Shakespeare's language is an increasingly subtle medium for re- flecting the differences and interactions between characters , situations and moods , thus we must approach the words not as abstractable entities ...
Pagina 345
... language : ' Our general's wife is now the general . I may say so in this respect , for that he hath devoted and given up himself to the contemplation , mark , and denotement of her parts and graces , ' and following that multiplicity ...
... language : ' Our general's wife is now the general . I may say so in this respect , for that he hath devoted and given up himself to the contemplation , mark , and denotement of her parts and graces , ' and following that multiplicity ...
Inhoudsopgave
Shakespeares Use of Prose I | 1 |
A Critical Method | 19 |
From Clown to Character | 52 |
Copyright | |
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abuse action antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath honour humour Iago Iago's imagery images ironic isocolon King lady Lafeu language Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince prose puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse witty words