The Artistry of Shakespeare's ProseMethuen, 1968 - 452 pagina's |
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Pagina 58
... lady hath it . Sweet clown , sweeter fool , sweetest lady . So , by simply taking the prose devices hitherto associated with clowns Shakespeare has created a complex emotional state with precision and wit . Further the imagery deflating ...
... lady hath it . Sweet clown , sweeter fool , sweetest lady . So , by simply taking the prose devices hitherto associated with clowns Shakespeare has created a complex emotional state with precision and wit . Further the imagery deflating ...
Pagina 184
... lady . It seems her affections have their full bent . Love me ? Why it must be requited . In that last sentence we have the first hint of false reasoning , which he improves on : ' Happy are they that hear their detractions and can put ...
... lady . It seems her affections have their full bent . Love me ? Why it must be requited . In that last sentence we have the first hint of false reasoning , which he improves on : ' Happy are they that hear their detractions and can put ...
Pagina 311
... lady , ' twas a good lady . We may pick a thousand sallets ere we light on such another herb . and Lavache deflates it : ' Indeed sir , she was the sweet marjoram of the sallet , or rather the herb of grace ' . Lafeu corrects him ...
... lady , ' twas a good lady . We may pick a thousand sallets ere we light on such another herb . and Lavache deflates it : ' Indeed sir , she was the sweet marjoram of the sallet , or rather the herb of grace ' . Lafeu corrects him ...
Inhoudsopgave
Shakespeares Use of Prose I | 1 |
A Critical Method | 19 |
From Clown to Character | 52 |
Copyright | |
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abuse action antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath honour humour Iago Iago's imagery images ironic isocolon King lady Lafeu language Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince prose puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse witty words