The Artistry of Shakespeare's ProseMethuen, 1968 - 452 pagina's |
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Pagina 84
... force . Shylock moves into attack now by stating Antonio's reason in the baldest , feeblest terms , where it does look ridiculous : And what's his reason ? I am a Jew . Here too we see the effect which can be produced by setting a plain ...
... force . Shylock moves into attack now by stating Antonio's reason in the baldest , feeblest terms , where it does look ridiculous : And what's his reason ? I am a Jew . Here too we see the effect which can be produced by setting a plain ...
Pagina 257
... force of honesty can translate beauty into its likeness . This was sometime a paradox , but now the time gives it proof . This is a generalized statement , and it is noteworthy that in the rest of the scene Hamlet's attacks , although ...
... force of honesty can translate beauty into its likeness . This was sometime a paradox , but now the time gives it proof . This is a generalized statement , and it is noteworthy that in the rest of the scene Hamlet's attacks , although ...
Pagina 339
... force of this alternation could best be appreciated by close analysis of the whole sequence , but we can see the outline of it if we call the points respectively A , B , and C , for then this pattern emerges : A , B , C , B , C , B , C ...
... force of this alternation could best be appreciated by close analysis of the whole sequence , but we can see the outline of it if we call the points respectively A , B , and C , for then this pattern emerges : A , B , C , B , C , B , C ...
Inhoudsopgave
Shakespeares Use of Prose I | 1 |
A Critical Method | 19 |
From Clown to Character | 52 |
Copyright | |
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abuse action antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath honour humour Iago Iago's imagery images ironic isocolon King lady Lafeu language Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince prose puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse witty words