The Artistry of Shakespeare's ProseMethuen, 1968 - 452 pagina's |
Vanuit het boek
Resultaten 1-3 van 59
Pagina 293
... fool to offer to command Achilles , Achilles is a fool to be com- manded of Agamemnon , Thersites is a fool to serve such a fool , and Patroclus is a fool positive . ' The last - named objects - ' Why am I a fool ? ' - and Thersites ...
... fool to offer to command Achilles , Achilles is a fool to be com- manded of Agamemnon , Thersites is a fool to serve such a fool , and Patroclus is a fool positive . ' The last - named objects - ' Why am I a fool ? ' - and Thersites ...
Pagina 360
... Fool's viewpoint . But where the Fool is given repartee , at moments where Lear is aroused suffi- ciently to answer back , the blows do go home : " Take heed sirrah the whip ' - " Truth's a dog must to kennel ; he must be whipped out ...
... Fool's viewpoint . But where the Fool is given repartee , at moments where Lear is aroused suffi- ciently to answer back , the blows do go home : " Take heed sirrah the whip ' - " Truth's a dog must to kennel ; he must be whipped out ...
Pagina 361
... fool - and then concentrates the resources of the device into expressing over and over again the King's fall from wisdom into folly , a decline which can only be halted ( through a similar paradox ) by him going through folly into ...
... fool - and then concentrates the resources of the device into expressing over and over again the King's fall from wisdom into folly , a decline which can only be halted ( through a similar paradox ) by him going through folly into ...
Inhoudsopgave
Shakespeares Use of Prose I | 1 |
A Critical Method | 19 |
From Clown to Character | 52 |
Copyright | |
6 andere gedeelten niet getoond
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
abuse action antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath honour humour Iago Iago's imagery images ironic isocolon King lady Lafeu language Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince prose puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse witty words