The Artistry of Shakespeare's ProseMethuen, 1968 - 452 pagina's |
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Pagina 121
Brian Vickers. ' How ill it follows , after you have laboured so hard , you should talk so idly ! ' If that speech is ... follow'dst him like a church . ' We 121 THE WORLD OF FALSTAFF.
Brian Vickers. ' How ill it follows , after you have laboured so hard , you should talk so idly ! ' If that speech is ... follow'dst him like a church . ' We 121 THE WORLD OF FALSTAFF.
Pagina 342
... follows from those preceding it : Iago does , and goes on to forecast Desdemona's negative reaction with a similar heaping - up of words and the most disgusting taste - imagery ( the consistency of the source of image is important here ...
... follows from those preceding it : Iago does , and goes on to forecast Desdemona's negative reaction with a similar heaping - up of words and the most disgusting taste - imagery ( the consistency of the source of image is important here ...
Pagina 350
... follow here in the chase , not like a hound that hunts , but one that fills up the cry ' . But he is unaware of the ... follows directly , in Iago's laconic comment on the fallen Othello : Thus credulous fools are caught . The purpose ...
... follow here in the chase , not like a hound that hunts , but one that fills up the cry ' . But he is unaware of the ... follows directly , in Iago's laconic comment on the fallen Othello : Thus credulous fools are caught . The purpose ...
Inhoudsopgave
Shakespeares Use of Prose I | 1 |
A Critical Method | 19 |
From Clown to Character | 52 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
abuse action antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath honour humour Iago Iago's imagery images ironic isocolon King lady Lafeu language Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince prose puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse witty words