The Artistry of Shakespeare's ProseMethuen, 1968 - 452 pagina's |
Vanuit het boek
Resultaten 1-3 van 42
Pagina 9
... continue in prose together , with their uneasy quibbles , until Clarence awakes ( 99–171 ) , at which point they ascend ... continues in verse ( 278–80 ) , which is the further accentuated by the murderer returning in callous prose . It ...
... continue in prose together , with their uneasy quibbles , until Clarence awakes ( 99–171 ) , at which point they ascend ... continues in verse ( 278–80 ) , which is the further accentuated by the murderer returning in callous prose . It ...
Pagina 45
... continues the symmetry continues to clarify the stage business . Launce's second solo is the prelude to his ludicrous ' catelog ' of his mistress , ( for which Speed joins him ) and in the introduc- tion Shakespeare uses the rhetorical ...
... continues the symmetry continues to clarify the stage business . Launce's second solo is the prelude to his ludicrous ' catelog ' of his mistress , ( for which Speed joins him ) and in the introduc- tion Shakespeare uses the rhetorical ...
Pagina 307
... continues to prattle him ' into these perils ' – ' into a butterwoman's mouth ' , and to exchange it for the silence of ' Bajazet's mule ' . - By a number of stylistic parallels , then , Shakespeare continues to undermine Parolles , but ...
... continues to prattle him ' into these perils ' – ' into a butterwoman's mouth ' , and to exchange it for the silence of ' Bajazet's mule ' . - By a number of stylistic parallels , then , Shakespeare continues to undermine Parolles , but ...
Inhoudsopgave
Shakespeares Use of Prose I | 1 |
A Critical Method | 19 |
From Clown to Character | 52 |
Copyright | |
6 andere gedeelten niet getoond
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
abuse action antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath honour humour Iago Iago's imagery images ironic isocolon King lady Lafeu language Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince prose puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse witty words