The Artistry of Shakespeare's ProseMethuen, 1968 - 452 pagina's |
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Pagina 301
... PAROLLES . And so ' tis . LAFEU . To be relinquished of the artists- PAROLLES . So I say . LAFEU . Both of Galen and Paracelsus , of all the learned and authentic fellows - PAROLLES . Right , so I say . LAFEU . That give him out ...
... PAROLLES . And so ' tis . LAFEU . To be relinquished of the artists- PAROLLES . So I say . LAFEU . Both of Galen and Paracelsus , of all the learned and authentic fellows - PAROLLES . Right , so I say . LAFEU . That give him out ...
Pagina 307
... Parolles , but the most brilliant use of prose is yet to come : for the detail of Parolles reviewing possible escape holes ( ' I must give myself some hurts , and say I got them in exploit . Yet slight ones will not carry it . They will ...
... Parolles , but the most brilliant use of prose is yet to come : for the detail of Parolles reviewing possible escape holes ( ' I must give myself some hurts , and say I got them in exploit . Yet slight ones will not carry it . They will ...
Pagina 310
... Parolles may be a ' Damnable both - sides rogue ' in his master's eyes , but after the way in which we have seen Bertram wooing Diana , then there is some- thing admirable in the fact that Parolles has written a letter to deter her from ...
... Parolles may be a ' Damnable both - sides rogue ' in his master's eyes , but after the way in which we have seen Bertram wooing Diana , then there is some- thing admirable in the fact that Parolles has written a letter to deter her from ...
Inhoudsopgave
Shakespeares Use of Prose I | 1 |
A Critical Method | 19 |
From Clown to Character | 52 |
Copyright | |
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abuse action antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath honour humour Iago Iago's imagery images ironic isocolon King lady Lafeu language Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince prose puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse witty words