The Artistry of Shakespeare's ProseMethuen, 1968 - 452 pagina's |
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Pagina 73
... lost track of where the play is going . Also this deflating humour , like that of Love's Labour's Lost , is often too violent . Granted that Mercutio is the ' allowed man ' who will remind us of the hidden basis of love , and granted ...
... lost track of where the play is going . Also this deflating humour , like that of Love's Labour's Lost , is often too violent . Granted that Mercutio is the ' allowed man ' who will remind us of the hidden basis of love , and granted ...
Pagina 106
... Love's Labour's Lost and A Midsummer Night's Dream , and was to do so brilliantly for Hamlet . So in a prose - play he must also find a style which will be , like the doggerel , the eight - and - six , and the antique blank verse of ...
... Love's Labour's Lost and A Midsummer Night's Dream , and was to do so brilliantly for Hamlet . So in a prose - play he must also find a style which will be , like the doggerel , the eight - and - six , and the antique blank verse of ...
Pagina 142
... Love's Labour's Lost with its fantastics like Armado , Nathaniel , and Holofernes , its clowns Dull and Costard , and the witty page Moth . Shakespeare's own develop- ment of language depended in part on the exercise of such verbal ...
... Love's Labour's Lost with its fantastics like Armado , Nathaniel , and Holofernes , its clowns Dull and Costard , and the witty page Moth . Shakespeare's own develop- ment of language depended in part on the exercise of such verbal ...
Inhoudsopgave
Shakespeares Use of Prose I | 1 |
A Critical Method | 19 |
From Clown to Character | 52 |
Copyright | |
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abuse action antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath honour humour Iago Iago's imagery images ironic isocolon King lady Lafeu language Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince prose puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse witty words