The Artistry of Shakespeare's ProseMethuen, 1968 - 452 pagina's |
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Pagina 308
... Bertram , and the scene which intervenes reminds us of the trap which is closing round Bertram , as Diana justifies the bed - trick : Only , in this disguise , I think't no sin To cozen him that would unjustly win . However , an ...
... Bertram , and the scene which intervenes reminds us of the trap which is closing round Bertram , as Diana justifies the bed - trick : Only , in this disguise , I think't no sin To cozen him that would unjustly win . However , an ...
Pagina 310
... Bertram . Parolles may be a ' Damnable both - sides rogue ' in his master's eyes , but after the way in which we have seen Bertram wooing Diana , then there is some- thing admirable in the fact that Parolles has written a letter to ...
... Bertram . Parolles may be a ' Damnable both - sides rogue ' in his master's eyes , but after the way in which we have seen Bertram wooing Diana , then there is some- thing admirable in the fact that Parolles has written a letter to ...
Pagina 313
... Bertram's knowledge of Diana , and although Bertram protests that this is a ' most perfidious slave .. Whose nature sickens but to speak a truth ' , we know that Bertram is still lying desperately , that he has learned absolutely ...
... Bertram's knowledge of Diana , and although Bertram protests that this is a ' most perfidious slave .. Whose nature sickens but to speak a truth ' , we know that Bertram is still lying desperately , that he has learned absolutely ...
Inhoudsopgave
Shakespeares Use of Prose I | 1 |
A Critical Method | 19 |
From Clown to Character | 52 |
Copyright | |
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abuse action antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath honour humour Iago Iago's imagery images ironic isocolon King lady Lafeu language Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince prose puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse witty words