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THE

DRAMATIC WORKS

OF

SIR JOHN VANBRUGH.

THE RELAPSE; OR, VIRTUE IN DANGER.

A Comedy.

BEING THE SEQUEI OF "THE FOOL IN FASHION."

THE

PREFACE.

To go about to excuse half the defects this abortive brat is come into the world with, would be to provoke the town with a long useless preface, when 'tis, I doubt, sufficiently soured already by a tedious play.

I do therefore (with all the humility of a repenting sinner) confess, it wants everything-but length: and in that, I hope, the severest critic will be pleased to acknowledge I have not been wanting. But my modesty will sure atone for everything, when the world shall know it is so great, I am even to this day insensible of those two shining graces in the play (which some part of the town is pleased to compliment me with)-blasphemy and bawdy.

For my part, I cannot find them out. If there were any obscene expressions upon the stage, here they are in the print; for I have dealt fairly, I have not sunk a syllable that could (though by racking of mysteries) be ranged under that head; and yet I believe with a steady faith, there is not one woman of a real reputation in town, but when she has read it impartially over in her closet, will find it so innocent, she'll think it no affront to her prayer-book, to lay it upon the same shelf. So to them (with all manner of deference) I entirely refer my cause; and I'm confident they'll justify me against those pretenders to good manners, who, at the same time, have so little respect for the ladies, they would extract a bawdy jest from an ejaculation, to put 'em out of countenance. But I expect to have these well-bred persons always my enemies, since I'm sure I shall never write anything lewd enough to make 'em my friends.

As for the saints (your thorough-paced ones, I mean, with screwed faces and wry mouths) I despair of them, for they are friends to nobody. They love nothing but their altars and themselves. They have too much zeal to have any charity; they make debauches in piety, as sinners do in wine; and are as quarrelsome in their religion, as other people are in their drink: so I hope nobody will mind what they say. But if any man (with flat plod shoes, a little band, greasy hair, and a dirty face, who is wiser than I, at the expense of being forty years older) happens to be offended at a story of a cock and a bull, and a priest and a bull-dog, I beg his pardon with all my heart; which, I hope, I shall obtain, by eating my words, and making this public recantation. I do therefore, for his satisfaction, acknowledge I lied, when I said, they never quit their hold; for in that little time I have lived in the world, I thank God I have seen 'em forced to it more than once: but next time I'll speak with more caution and truth, and only say, they have very good teeth.

If I have offended any honest gentlemen of the town, whose friendship or good word is worth the having, I am very sorry for it; I hope they'll correct me as gently as they can, when they consider I have had no other design, in running a very great risk, than to divert (if possible) some part of their spleen, in spite of their wives and their taxes.

One word more about the bawdy, and I have done. I own the first night this thing was acted, some indecencies had like to have happened, but 'twas not my fault.

The fine gentleman of the play, drinking his mistress's health in Nantes brandy, from six in the morning to the time he waddled on upon the stage in the evening, had toasted himself up to such a pitch of vigour, I confess I once gave Amanda for gone, and am since (with all due respect to Mrs Rogers) very sorry she scaped; for I am confident a certain lady (let no one take it to herself that's handsome) who highly blames the play, for the barrenness of the conclusion, would then have allowed it a very natural close.

DRAMATIS

SIR NOVELTY FASHION, newly created LORD FOPPINGTON.

TOM FASHION, his Brother.

LOVELESS, Husband to AMANDA.
WORTHY, a Gentleman of the Town.

SIR TUNBELLY CLUMSEY, a Country Gentleman.

SIR JOHN FRIENDLY, his Neighbour.

COUPLER, a Match-maker.

BULL, Chaplain to SIR TUNBELLY

SYRINGE, a Surgeon.

LORY, Servant to Toм FASHION

LA VEROLE, Valet to LORD FOPPINGTON.

MENDLEGS, a Hosier.

PERSONE.

FORETOP, a Periwig-maker.
TUG, a Waterman.

AMANDA, Wife to LOVELESS.

BERINTHIA, her Cousin, a young Widow.

MISS HOYDEN, a great Fortune, Daughter to SIR TUN.

BELLY.

Nurse, her Governante.

MRS. CALICO, a Sempstress.

ABIGAIL, Maid to BERINTHIA.

Shoemaker, Tailor, Constable, Clerk, Porter, Page,
Musicians, Dancers, &c.

SCENE, SOMETIMES IN LONDON, SOMETIMES IN THE COUNTRY.

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LADIES, this Play in too much haste was writ, To be o'ercharged with either plot or wit; 'Twas got, conceived, and born in six weeks' space,

And wit, you know, 's as slow in growth asgrace.

Sure it can ne'er be ripen'd to your taste;

I doubt 'twill prove, our author bred too fast :
For mark 'em well, who with the Muses marry,
They rarely do conceive, but they miscarry.
'Tis the hard fate of those who are big with rhyme,
Still to be brought to bed before their time.
Of our late poets Nature few has made;
The greatest part are-only so by trade.
Still want of something brings the scribbling fit;
For want of money some of 'em have writ,
And others do't, you see, for-want of wit.
Honour, they fancy, summons 'em to write,

CROSS.

So out they lug in wresty Nature's spite,
As some of you spruce beaux do-when you fight.
Yet let the ebb of wit be ne'er so low,
Some glimpse of it a man may hope to show,
Upon a theme so ample as-a beau.
So, howsoe'er true courage may decay,
Perhaps there's not one smock-face here to-day,
But's bold as Cæsar-to attack a play.
Nay, what's yet more, with an undaunted face,
To do the thing with more heroic grace,
'Tis six to four ye attack the strongest place.
You are such Hotspurs in this kind of venture,
Where there's no breach, just there you needs must

enter :

But be advised

E'en give the hero and the critic o'er,

For Nature sent you on another score ;

She form'd her beau, for nothing but her whore.

PROLOGUE ON THE THIRD DAY. SPOKEN BY MRS. VERBRUGGEN.

APOLOGIES for Plays, experience shows,
Are things almost as useless as-the beaux.
Whate'er we say (like them) we neither move
Your friendship, pity, anger, nor your love.
'Tis interest turns the globe; let us but find
The way to please you, and you'll soon be kind.
But to expeet, you'd for our sakes approve,
Is just as though you for their sakes should love;
And that, we do confess, we think a task
Which (though they may impose) we never ought
to ask.

This is an age, where all things we improve
But, most of all, the art of making love.
In former days, women were only won
By merit, truth, and constant service one;
But lovers now are much more expert grown;
They seldom wait, to approach by tedious form;
They're for despatch, for taking you by storm.
Quick are their sieges, furious are their fires,
Fierce their attacks, and boundless their desires.
Before the Play's half ended, I'll engage
To show you beaux come crowding on the stage,
Who with so little pains have always sped,
They'll undertake to look a lady dead.

How have I shook, and trembling stood with

awe,

When here, behind the scenes, I've seen 'em draw

-A comb; that dead-doing weapon to the heart,
And turn each powder'd hair into a dart!
When I have seen 'em sally on the stage,
Dress'd to the war, and ready to engage,
I've mourn'd your destiny-yet more their fate,
To think, that after victories so great,
It should so often prove their hard mishap
To sneak into a lane, and get—a clap.
But, hush they're here already; I'll retire,
And leave 'em to the ladies to admire.
They'll show you twenty thousand arts and graces,
They'll entertain you with their soft grimaces,
Their snuffbox, awkward bows, and-ugly faces.
In short, they're after all so much your friends,
That lest the Play should fail, the author ends;
They have resolved to make you some amends.
Between each act (perform'd by nicest rules)
They'll treat you with-an Interlude of fools:
Of which that you may have the deeper sense,
The entertainment's-at their own expense.

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Enter AMANDA.

How does the happy cause of my content, [Meeting her kindly.

My dear Amanda ?

You find me musing on my happy state,
And full of grateful thoughts to Heaven, and you.
Aman. Those grateful offerings Heaven can't
receive

With more delight than I do :

Would I could share with it as well
The dispensations of its bliss!

That I might search its choicest favours out,
And shower 'em on your head for ever.

Love. The largest boons that Heaven thinks fit to grant,

To things it has decreed shall crawl on earth,
Are in the gift of woman form'd like you.
Perhaps when time shall be no more,
When the aspiring soul shall take its flight,
And drop this ponderous lump of clay behind it,
It may have appetites we know not of,
And pleasures as refined as its desires-

But till that day of knowledge shall instruct me,
The utmost blessing that my thought can reach,
[Taking her in his arms.
Is folded in my arms, and rooted in my heart.
Aman. There let it grow for ever!
Lore. Well said, Amanda-let it be for ever-
Would Heaven grant that-

Aman.
'Twere all the heaven I'd ask.
But we are clad in black mortality,
And the dark curtain of eternal night
At last must drop between us.
Love.

It must.

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Forgive the weakness of a woman,

I am uneasy at your going to stay so long in town;

I know its false insinuating pleasures;

I know the force of its delusions;

I know the strength of its attacks;

I know the weak defence of nature;

I know you are a man-and I—a wife.

Love. You know then all that needs to give you rest,

For wife's the strongest claim that you can urge.
When you would plead your title to my heart,
On this you may depend. Therefore be calm,
Banish your fears, for they

Are traitors to your peace: beware of them,
They are insinuating busy things

That gossip to and fro,

And do a world of mischief where they come. But you shall soon be mistress of 'em all; I'll aid you with such arms for their destruction, They never shall erect their heads again. You know the business is indispensable, that obliges me to go for London; and you have no reason, that I know of, to believe that I'm glad of the occasion. For my honest conscience is my witness, I have found a due succession of such charms In my retirement here with you,

I have never thrown one roving thought that way.
But since, against my will, I'm dragg'd once more
To that uneasy theatre of noise,

I am resolved to make such use on't,
As shall convince you 'tis an old cast mistress,
Who has been so lavish of her favours,
She's now grown bankrupt of her charms,
And has not one allurement left to move me.

Aman. Her bow, I do believe, is grown so weak
Her arrows (at this distance) cannot hurt you;
But in approaching 'em, you give 'em strength.
The dart that has not far to fly, will put
The best of armour to a dangerous trial.

Love. That trial past, and you're at ease for ever; When you have seen the helmet proved, You'll apprehend no more for him that wears it. Therefore, to put a lasting period to your fears, I am resolved, this once, to launch into temptation: I'll give you an essay of all my virtues, My former boon companions of the bottle Shall fairly try what charms are left in wine: I'll take my place amongst them,

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Love. Fy, fy, Amanda! it is not kind thus to distrust me.

Aman. And yet my fears are founded on my love.

Love. Your love then is not founded as it ought; For if you can believe 'tis possible

I should again relapse to my past follies,

I must appear to you a thing

Of such an undigested composition,
That but to think of me with inclination,
Would be a weakness in your taste
Your virtue scarce could answer.

Aman. 'Twould be a weakness in my tongue; My prudence could not answer,

If I should press you farther with my fears;
I'l therefore trouble you no longer with 'em.

Love. Nor shall they trouble you much longer, A little time shall show you they were groundless: This winter shall be the fiery trial of my virtue :

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