Man. 'Tis well-that when she comes to set him free, His teeth may grin, and mock at her remorse. [PEREZ going. I shall convict her to her face of falsehood. Thou, like the adder, venomous and deaf, Sel. Avert it, Heaven, that you should ever suffer For my defect! or that the means which I But to be punish'd and forgiven. Here, strike! 1 bare my breast to meet your just revenge. Zara. I have not leisure now to take so poor Yes, Osmyn, yes; be Osmyn or Alphonso, Thou shalt partake. Since fates no more afford, The king in person animate our men, The Moor, is dead. That Osmyn was Alphonso; How much report has wrong'd your easy faith. Alon. My lord, for certain truth, Perez is fled; And has declared the cause of his revolt, Was to revenge a blow the king had given him. On me, on me, turn your avenging sword! Gar. Ha! what? atone this murder with a greater? The horror of that thought has damp'd my rage. Gon. O my son from the blind dotage Of a father's fondness these ills arose ; For thee I've been ambitious, base, and bloody: For thee I've plunged into this sea of sin; Stemming the tide with only one weak hand, While t'other bore the crown, (to wreath thy brow,) Whose weight has sunk me ere I reach'd the shore. The shrillness of that shout speaks 'em at hand. The few remaining soldiers with despair, body: As but an hour ago I'd not have done, Which may be still mistaken by the guards Gon. I shall make good, and shelter bis retreat. SCENE VIII. ZARA, followed by SELIM, and two Mutes bearing the bowls. Zara. Silence and solitude are everywhere! Through all the gloomy ways and iron doors That hither lead, nor human face nor voice Is seen or heard. A dreadful din was wont To grate the sense, when enter'd here; from groans And howls of slaves condemn'd, from clink of chains, And crash of rusty bars and creeking hinges : Let 'em set down the bowls, and warn Alphonso [Mutes go in. The king; tell him, what he required I've done, And wait his coming to approve the deed. Zara. What have you seen? Ha! wherefore stare you thus [The Mutes return, and look affrighted. With haggard eyes? why are your arms a-cross? Your heavy and desponding heads hung down? Why is't you more than speak in these sad signs? Give me more ample knowledge of this mourning. [They go to the Scene, which opening, she perceives the Ha! prostrate! bloody! headless! O-I'm lost! SCENE X. ZARA, SELIM, and Mutes. Sel. I've sought in vain, for nowhere can the king Be found. Zara. Get thee to hell, and seek him there! His hellish rage had wanted means to act, The mute you sent by some mischance was seen, [Dies. Zara. As thou art now-and I shall quickly be. 'Tis not that he is dead; for 'twas decreed We both should die. Nor is't that I survive; I have a certain remedy for that. But oh, he died unknowing in my heart! He knew I loved, but knew not to what height: [Drinks. Of sense; his soul still sees, and knows each purpose, [Dies. [The Mutes kneel and mourn over her. ALMERIA, LEONORA, and Mutes. Alm. O let me seek him in this horrid cell; For in the tomb, or prison, I alone Must hope to find him. Leon. Heavens! what dismal scene Of death is this? The eunuch Selim slain ! Alm. Show me, for I am come in search of death; But want a guide; for tears have dimm'd my sight. Leon. Alas, a little farther, and behold Had they or hearts or eyes, that did this deed! All things were well: and yet my husband's murder'd! Yes, yes, I know to mourn! I'll sluice this heart, Their heads, in sign of grief and innocence! [The Mutes point at the bowl on the ground. And point-what mean they? Ha! a cup. O well I understand what medicine has been here. O noble thirst! yet greedy to drink all— Oh for another draught of death.-What mean they? [The Mutes point at the other cup. Ha! point again? 'tis there, and full, I hope. Thanks to the liberal hand that fill'd thee thus ; I'll drink my glad acknowledgmentLeon. O hold, For mercy's sake! upon my knee I beg Alm. With thee the kneeling world should beg in vain. Seest thou not there? behold who prostrate lies, [Coming nearer the body, starts and lets fall the cup But spouting veins, and mangled flesh ! Oh. oh! SCENE XII. ALMERIA, LEONORA, ALPHONSO, HELI, PEREZ, with GARCIA prisoner, Guards and Attendants. Alph. Away, stand off! where is she? let me fly, Save her from death, and snatch her to my heart. Aim. Oh! Alph. Forbear; my arms alone shall hold her up, Warm her to life, and wake her into gladness. The words of joy and peace! warm thy cold beauties, dream intend? Alph. O mayst thou never dream of less delight, Nor ever wake to less substantial joys! Alm. Given me again from death! O all ye powers Confirm this miracle! Can I believe My sight, against my sight? and shall I trust That sense, which in one instant shows him dead And living? Yes, I will; I've been abused With apparitions and affrighting phantoms: This is my lord, my life, my only husband: I have him now, and we no more will part. My father too shall have compassion Alph. O my heart's comfort! 'tis not given to this Frail life, to be entirely bless'd. Even now, Let 'em remove the body from her sight. Whose virtue has renounced thy father's crimes; [Exeunt omnES, EPILOGUE SPOKEN BY MRS. BRACEGIRDLE. THE tragedy thus done, I am, you know, I've leisure now to mark your several faces, For innocence condemn'd they've no respect, That some well-laden ship may strike the sands; MY LORD,-Whether the world will arraign me of vanity or not, that I have presumed to dedicate this comedy to your Lordship, I am yet in doubt; though, it may be, it is some degree of vanity even to doubt of it. One who has at any time had the honour of your Lordship's conversation, cannot be supposed to think very meanly of that which he would prefer to your perusal; yet it were to incur the imputation of too much sufficiency, to pretend to such a merit as might abide the test of your Lordship's censure. Whatever value may be wanting to this play while yet it is mine, will be sufficiently made up to it when it is once become your Lordship's; and it is my security, that I cannot have overrated it more by my dedication, than your Lordship will dignify it by your patronage. That it succeeded on the stage, was almost beyond my expectation; for but little of it was prepared for that general taste which seems now to be predominant in the palates of our audience. Those characters which are meant to be ridiculed in most of our comedies, are of fools so gross, that, in my humble opinion, they should rather disturb than divert the well-natured and reflecting part of an audience; they are rather objects of charity than contempt; and instead of moving our mirth, they ought very often to excite our compassion. This reflection moved me to design some characters which should appear ridiculous, not so much through a natural folly (which is incorrigible, and therefore not proper for the stage) as through an affected wit; a wit, which at the same time that it is affected, is also false. As there is some difficulty in the formation of a character of this nature, so there is some hazard which attends the progress of its success upon the stage; for many come to a play so overcharged with criticism, that they very often let fly their censure, when through their rashness they have mistaken their aim. This I had occasion lately to observe; for this play had been acted two or three days, before some of these hasty judges could find the leisure to distinguish betwixt the character of a Witwoud and a Truewit. I must beg your Lordship's pardon for this digression from the true course of this epistle; but that it may not seem altogether impertinent, I beg that I may plead the occasion of it, in part of that excuse of which I stand in need, for recommending this comedy to your protection. It is only by the countenance of your Lordship, and the few so qualified, that such who write with care and pains can hope to be distinguished; for the prostituted name of poet promiscuously levels all that bear it. Terence, the most correct writer in the world, had a Scipio and a Lælius, if not to assist him, at least to support him in his reputation; and notwithstanding his extraordinary merit, it may be their countenance was not more than necessary. The purity of his style, the delicacy of his turns, and the justness of his characters, were all of them beauties which the greater part of his audience were incapable of tasting; some of the coarsest strokes of Plautus, so severely censured by Horace, were more likely to affect the multitude; such who come with expectation to laugh at the last act of a play, and are better entertained with two or three unseasonable jests, than with the artful solution of the fable. As Terence excelled in his performances, so Lad he great advantages to encourage his undertakings; for he built most on the foundations of Menander; his plots were generally modelled, and his eharacters ready drawn to his hand. He copied Menander, and Menander had no less light in the formation of his characters, from the observations of Theophrastus, of whom he was a disciple; and Theophrastus, it is known, was not only the disciple, but the immediate successor of Aristotle, the first and greatest judge of poetry. These were great models to design by; and the further advantage which Terence possessed, towards giving his plays the due ornaments of purity of style and justness of manners, was not less considerable, from the freedom of conversation which was permitted him with Lælius and Scipio, two of the greatest and most polite men of his age. And indeed the privilege of such a conversation is the only certain means of attaining to the perfection of dialogue. If it has happened in any part of this comedy, that I have gained a turn of style or expression more correct, or at least more corrigible, than in those which I have formerly written, I must, with equal pride and gratitude, ascribe it to |