Hofmannsthal and Greek Myth: Expression and PerformancePeter Lang, 2002 - 295 pagina's Throughout his career the Austrian dramatist Hugo von Hofmannsthal (1874-1929) turned repeatedly to Greek myth for his material. This book sets out to uncover his reasons for doing so. The results provide not only new insights into his work but a case-study in the reception of the Classics in fin-de-siècle Vienna. Ranging widely over Hofmannsthal's achievements in drama, opera and the dance, this study is the first to provide a solid context for his 'Greek' works, both in the intellectual debates of his time - on such issues as psychoanalysis, feminism and the 'crisis of language' - and in contemporary performance practice. |
Vanuit het boek
Resultaten 1-3 van 31
Pagina 31
... opposite latent within it ( 7/301 ) , and so myth must assume the form of a coincidentia oppositorum , a dynamic balance of opposites : ' Im Mythischen ist jedes Ding durch einen Doppelsinn , der sein Gegensinn ist , getragen : Tod ...
... opposite latent within it ( 7/301 ) , and so myth must assume the form of a coincidentia oppositorum , a dynamic balance of opposites : ' Im Mythischen ist jedes Ding durch einen Doppelsinn , der sein Gegensinn ist , getragen : Tod ...
Pagina 223
... opposites , the cosmic process in which all things are involved , the world seen as continous flow and change . The idea is that all developments in nature , those in the physical world as well as those of human situations , show cyclic ...
... opposites , the cosmic process in which all things are involved , the world seen as continous flow and change . The idea is that all developments in nature , those in the physical world as well as those of human situations , show cyclic ...
Pagina 231
... opposites such as myth could express . The Orient stood for the Unconscious , ' das Innen ' , Cosmos ; the Occident for the Conscious , ' das Außen ' , Chaos . By reconciling opposites within the self , it is possible to reconcile them ...
... opposites such as myth could express . The Orient stood for the Unconscious , ' das Innen ' , Cosmos ; the Occident for the Conscious , ' das Außen ' , Chaos . By reconciling opposites within the self , it is possible to reconcile them ...
Inhoudsopgave
List of Illustrations | 9 |
Translation Rewriting and Performance | 49 |
Ödipus und die Sphinx and | 101 |
Copyright | |
6 andere gedeelten niet getoond
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
action ägyptische Helena Alkestis ancient Antike Antiquity Ariadne Ariadne auf Naxos Bachofen Berlin Bw Strauss Cambridge century Chapter character Chorus classical culture dance dialogue Dichter Die ägyptische Helena drama Duncan Elektra essay Euripides Europe expression Fischer Frankfurt/M Freud Gebärde Geist German Gertrud Eysoldt Gestalt Gestalten Goethe Goethe's Greece Greek myth Greek tragedy Grete Wiesenthal große Harry Graf Kessler Hermann Bahr Hofmanns Hofmannsthal's Hugo von Hofmannsthal Iphigenie Kessler Klytämnestra König Ödipus Kreon Kunst language Leben Letter libretto literary Literatur Maeterlinck mannsthal matriarchy Max Reinhardt Menschen modern Munich Musik muß mythical mythisch mythological Mythos Neue Nietzsche Oedipus opera Orient original Pannwitz pantomime performance play poet Psyche quoted recognised Reinhardt Richard Strauss Rudolf sacrifice scene Schnitzler Sophocles Sphinx St Denis stage Tanz thal thal's theatre tragic tragische translation University Press unserer Vienna Welt Werke Wesen wieder Wirklichkeit words Worte writing Zeit
Verwijzingen naar dit boek
Max Reinhardt: vom bürgerlichen Theater zur metropolitanen Kultur Peter W. Marx Fragmentweergave - 2006 |