Hofmannsthal and Greek Myth: Expression and PerformancePeter Lang, 2002 - 295 pagina's Throughout his career the Austrian dramatist Hugo von Hofmannsthal (1874-1929) turned repeatedly to Greek myth for his material. This book sets out to uncover his reasons for doing so. The results provide not only new insights into his work but a case-study in the reception of the Classics in fin-de-siècle Vienna. Ranging widely over Hofmannsthal's achievements in drama, opera and the dance, this study is the first to provide a solid context for his 'Greek' works, both in the intellectual debates of his time - on such issues as psychoanalysis, feminism and the 'crisis of language' - and in contemporary performance practice. |
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Pagina 129
... interest in Greek myth . From the period 1900 to 1904 date a whole series of projected but uncompleted dramas on mythical subjects : Leda and the Swan , Zeus and Semele , Gyges and his ring , Pentheus and Dionysus . One of the 1903 ...
... interest in Greek myth . From the period 1900 to 1904 date a whole series of projected but uncompleted dramas on mythical subjects : Leda and the Swan , Zeus and Semele , Gyges and his ring , Pentheus and Dionysus . One of the 1903 ...
Pagina 168
... interest burgeoned . One reason was his material ambitions - this is a persistent motive under- lying his reorientation towards theatre which seems to interest scholars less than his so - called ' Sprachkrise ' . In 1900 Richard Strauss ...
... interest burgeoned . One reason was his material ambitions - this is a persistent motive under- lying his reorientation towards theatre which seems to interest scholars less than his so - called ' Sprachkrise ' . In 1900 Richard Strauss ...
Pagina 195
... interest in the public art of theatre and caused him to look towards non - verbal forms of artistic ex- pression . He participated in the contemporary revival of interest in pantomime , but it was only when he encountered the modern ...
... interest in the public art of theatre and caused him to look towards non - verbal forms of artistic ex- pression . He participated in the contemporary revival of interest in pantomime , but it was only when he encountered the modern ...
Inhoudsopgave
List of Illustrations | 9 |
Translation Rewriting and Performance | 49 |
Ödipus und die Sphinx and | 101 |
Copyright | |
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action ägyptische Helena Alkestis ancient Antike Antiquity Ariadne Ariadne auf Naxos Bachofen Berlin Bw Strauss Cambridge century Chapter character Chorus classical culture dance dialogue Dichter Die ägyptische Helena drama Duncan Elektra essay Euripides Europe expression Fischer Frankfurt/M Freud Gebärde Geist German Gertrud Eysoldt Gestalt Gestalten Goethe Goethe's Greece Greek myth Greek tragedy Grete Wiesenthal große Harry Graf Kessler Hermann Bahr Hofmanns Hofmannsthal's Hugo von Hofmannsthal Iphigenie Kessler Klytämnestra König Ödipus Kreon Kunst language Leben Letter libretto literary Literatur Maeterlinck mannsthal matriarchy Max Reinhardt Menschen modern Munich Musik muß mythical mythisch mythological Mythos Neue Nietzsche Oedipus opera Orient original Pannwitz pantomime performance play poet Psyche quoted recognised Reinhardt Richard Strauss Rudolf sacrifice scene Schnitzler Sophocles Sphinx St Denis stage Tanz thal thal's theatre tragic tragische translation University Press unserer Vienna Welt Werke Wesen wieder Wirklichkeit words Worte writing Zeit
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