Hofmannsthal and Greek Myth: Expression and PerformancePeter Lang, 2002 - 295 pagina's Throughout his career the Austrian dramatist Hugo von Hofmannsthal (1874-1929) turned repeatedly to Greek myth for his material. This book sets out to uncover his reasons for doing so. The results provide not only new insights into his work but a case-study in the reception of the Classics in fin-de-siècle Vienna. Ranging widely over Hofmannsthal's achievements in drama, opera and the dance, this study is the first to provide a solid context for his 'Greek' works, both in the intellectual debates of his time - on such issues as psychoanalysis, feminism and the 'crisis of language' - and in contemporary performance practice. |
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Pagina 55
... Reinhardt collaborator , who in 1902 was to become ' Konzessionsträger ' and co - director of the Kleines Theater . Antigone and Oedipus Tyrannus were performed to much acclaim , the latter preceded by a lecture by Wilamowitz ...
... Reinhardt collaborator , who in 1902 was to become ' Konzessionsträger ' and co - director of the Kleines Theater . Antigone and Oedipus Tyrannus were performed to much acclaim , the latter preceded by a lecture by Wilamowitz ...
Pagina 74
... Reinhardt's dissatis- faction with the ' gipserner Charakter ' ( B / II / 383–4 ) of existing trans- lations . As with their previous venture , the Elektra of 1903 , the collaboration with Reinhardt was vital not only to the staging of ...
... Reinhardt's dissatis- faction with the ' gipserner Charakter ' ( B / II / 383–4 ) of existing trans- lations . As with their previous venture , the Elektra of 1903 , the collaboration with Reinhardt was vital not only to the staging of ...
Pagina 130
... Reinhardt and at once promised to write an Elektra for Rein- hardt's theatre . What then happened is significant . The play was written relatively quickly , most of it between late July and early August . Although it cost him much ...
... Reinhardt and at once promised to write an Elektra for Rein- hardt's theatre . What then happened is significant . The play was written relatively quickly , most of it between late July and early August . Although it cost him much ...
Inhoudsopgave
List of Illustrations | 9 |
Translation Rewriting and Performance | 49 |
Ödipus und die Sphinx and | 101 |
Copyright | |
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action ägyptische Helena Alkestis ancient Antike Antiquity Ariadne Ariadne auf Naxos Bachofen Berlin Bw Strauss Cambridge century Chapter character Chorus classical culture dance dialogue Dichter Die ägyptische Helena drama Duncan Elektra essay Euripides Europe expression Fischer Frankfurt/M Freud Gebärde Geist German Gertrud Eysoldt Gestalt Gestalten Goethe Goethe's Greece Greek myth Greek tragedy Grete Wiesenthal große Harry Graf Kessler Hermann Bahr Hofmanns Hofmannsthal's Hugo von Hofmannsthal Iphigenie Kessler Klytämnestra König Ödipus Kreon Kunst language Leben Letter libretto literary Literatur Maeterlinck mannsthal matriarchy Max Reinhardt Menschen modern Munich Musik muß mythical mythisch mythological Mythos Neue Nietzsche Oedipus opera Orient original Pannwitz pantomime performance play poet Psyche quoted recognised Reinhardt Richard Strauss Rudolf sacrifice scene Schnitzler Sophocles Sphinx St Denis stage Tanz thal thal's theatre tragic tragische translation University Press unserer Vienna Welt Werke Wesen wieder Wirklichkeit words Worte writing Zeit
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Max Reinhardt: vom bürgerlichen Theater zur metropolitanen Kultur Peter W. Marx Fragmentweergave - 2006 |