Hofmannsthal and Greek Myth: Expression and PerformancePeter Lang, 2002 - 295 pagina's Throughout his career the Austrian dramatist Hugo von Hofmannsthal (1874-1929) turned repeatedly to Greek myth for his material. This book sets out to uncover his reasons for doing so. The results provide not only new insights into his work but a case-study in the reception of the Classics in fin-de-siècle Vienna. Ranging widely over Hofmannsthal's achievements in drama, opera and the dance, this study is the first to provide a solid context for his 'Greek' works, both in the intellectual debates of his time - on such issues as psychoanalysis, feminism and the 'crisis of language' - and in contemporary performance practice. |
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Pagina 58
... Chorus and its rehabilitation of Euripides . In his preface to Die Braut von Messina Schiller gives a lucid analysis of the role of the Chorus . He regards it as an instrument of necessary unreality . By sur- rounding the action with a ...
... Chorus and its rehabilitation of Euripides . In his preface to Die Braut von Messina Schiller gives a lucid analysis of the role of the Chorus . He regards it as an instrument of necessary unreality . By sur- rounding the action with a ...
Pagina 59
... Chorus . The verbal forms were altered by a severe condensation of the text and the Chorus divided into smaller groups and single speakers in order to preserve a dynamic element . At the Meiningen Court Theatre it had been required of ...
... Chorus . The verbal forms were altered by a severe condensation of the text and the Chorus divided into smaller groups and single speakers in order to preserve a dynamic element . At the Meiningen Court Theatre it had been required of ...
Pagina 85
... Chorus , red sunlight broke into the auditorium ; the Chorus were black against it . The blinded Ödipus was led in . The masses silently disappeared , leaving the Chorus of ' Greise ' ( the surviving rump of Sophocles ' Chorus , twenty ...
... Chorus , red sunlight broke into the auditorium ; the Chorus were black against it . The blinded Ödipus was led in . The masses silently disappeared , leaving the Chorus of ' Greise ' ( the surviving rump of Sophocles ' Chorus , twenty ...
Inhoudsopgave
List of Illustrations | 9 |
Translation Rewriting and Performance | 49 |
Ödipus und die Sphinx and | 101 |
Copyright | |
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action ägyptische Helena Alkestis ancient Antike Antiquity Ariadne Ariadne auf Naxos Bachofen Berlin Bw Strauss Cambridge century Chapter character Chorus classical culture dance dialogue Dichter Die ägyptische Helena drama Duncan Elektra essay Euripides Europe expression Fischer Frankfurt/M Freud Gebärde Geist German Gertrud Eysoldt Gestalt Gestalten Goethe Goethe's Greece Greek myth Greek tragedy Grete Wiesenthal große Harry Graf Kessler Hermann Bahr Hofmanns Hofmannsthal's Hugo von Hofmannsthal Iphigenie Kessler Klytämnestra König Ödipus Kreon Kunst language Leben Letter libretto literary Literatur Maeterlinck mannsthal matriarchy Max Reinhardt Menschen modern Munich Musik muß mythical mythisch mythological Mythos Neue Nietzsche Oedipus opera Orient original Pannwitz pantomime performance play poet Psyche quoted recognised Reinhardt Richard Strauss Rudolf sacrifice scene Schnitzler Sophocles Sphinx St Denis stage Tanz thal thal's theatre tragic tragische translation University Press unserer Vienna Welt Werke Wesen wieder Wirklichkeit words Worte writing Zeit
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