From Gay to Queer: Gay Male Identity in Selected Fiction by David Leavitt and in Tony Kushner's Play "Angels in America I-II" |
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Pagina 70
What the play actually seems to reveal is the voice of a sodomite , which is exceptional in Renaissance drama ; as Hocquenghem and other theorists have argued , however , the voice of the sodomite remains somewhat exceptional even in ...
What the play actually seems to reveal is the voice of a sodomite , which is exceptional in Renaissance drama ; as Hocquenghem and other theorists have argued , however , the voice of the sodomite remains somewhat exceptional even in ...
Pagina 96
Since all female roles were performed by men , it can be said that women had no voice of their own in the theater . Similarly , when we interpret Marlowe's play in this light , we can argue that in Edward II Marlowe tries to give ...
Since all female roles were performed by men , it can be said that women had no voice of their own in the theater . Similarly , when we interpret Marlowe's play in this light , we can argue that in Edward II Marlowe tries to give ...
Pagina 291
His attitude toward Cohn is " as cold and hard as Antarctica , when he reveals his real name and speaks to Cohn now for the first time in his own voice : » 79 BELIZE : Norman Arriaga . Belize to my friends , but you can call me Norman ...
His attitude toward Cohn is " as cold and hard as Antarctica , when he reveals his real name and speaks to Cohn now for the first time in his own voice : » 79 BELIZE : Norman Arriaga . Belize to my friends , but you can call me Norman ...
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Inhoudsopgave
Contents | 7 |
Introduction | 13 |
The Construction of Gay Male Identity in David Leavitts | 103 |
Copyright | |
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Overige edities - Alles bekijken
From Gay to Queer: Gay Male Identity in Selected Fiction by David Leavitt ... Lasse Kekki Fragmentweergave - 2003 |
From Gay to Queer: Gay Male Identity in Selected Fiction by David Leavitt ... Lasse Kekki Geen voorbeeld beschikbaar - 2003 |
Veelvoorkomende woorden en zinsdelen
According actually Affections AIDS Angels in America argued becomes beginning body Butler called chapter characters concept connected constructed contemporary create critical culture David depicted desire discourse drama early Edward emphasizes England Sleeps Equal example existence experience fact feelings fiction finally follows forces Gaveston gay literature gay male identity gender groups heterosexual homophobic homosexuality idea important instance interpretation Italy Jewish kind Kushner's play Language later leads Leavitt's novels lesbian Liberation literary literature lives Lost Louis maintained Marlowe's means mother narrator never offered one's past performed person politics position possibility present Prior protagonist queer question reading refers regarded relation relationship represent reveals role scene Sedgwick seems seen sense sexual social society story strategy studies tells term texts theory thing tion tradition turn understand writes
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