From Gay to Queer: Gay Male Identity in Selected Fiction by David Leavitt and in Tony Kushner's Play "Angels in America I-II" |
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As far as the tradition of American gay literature is concerned , Leavitt can be described as an author belonging to the generation that emerged after the Stonewall riots , a turning point of the Gay Liberation movement in 1969.
As far as the tradition of American gay literature is concerned , Leavitt can be described as an author belonging to the generation that emerged after the Stonewall riots , a turning point of the Gay Liberation movement in 1969.
Pagina 112
As power affects the subject , the subject concurrently produces subjection , and “ the form this power takes is relentlessly marked by a figure of turning , a „ 16 turning back upon oneself or even a turning. 12 Edelman 1994 , xiv .
As power affects the subject , the subject concurrently produces subjection , and “ the form this power takes is relentlessly marked by a figure of turning , a „ 16 turning back upon oneself or even a turning. 12 Edelman 1994 , xiv .
Pagina 220
The writer turns away from the audience to address an imaginary figure with whom he is in an antinomian relation . Indeed , half way through De Profundis Wilde changes his style . He compares himself to Christ , and the book thereby ...
The writer turns away from the audience to address an imaginary figure with whom he is in an antinomian relation . Indeed , half way through De Profundis Wilde changes his style . He compares himself to Christ , and the book thereby ...
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Inhoudsopgave
Contents | 7 |
Introduction | 13 |
The Construction of Gay Male Identity in David Leavitts | 103 |
Copyright | |
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Overige edities - Alles bekijken
From Gay to Queer: Gay Male Identity in Selected Fiction by David Leavitt ... Lasse Kekki Fragmentweergave - 2003 |
From Gay to Queer: Gay Male Identity in Selected Fiction by David Leavitt ... Lasse Kekki Geen voorbeeld beschikbaar - 2003 |
Veelvoorkomende woorden en zinsdelen
According actually Affections AIDS Angels in America argued becomes beginning body Butler called chapter characters concept connected constructed contemporary create critical culture David depicted desire discourse drama early Edward emphasizes England Sleeps Equal example existence experience fact feelings fiction finally follows forces Gaveston gay literature gay male identity gender groups heterosexual homophobic homosexuality idea important instance interpretation Italy Jewish kind Kushner's play Language later leads Leavitt's novels lesbian Liberation literary literature lives Lost Louis maintained Marlowe's means mother narrator never offered one's past performed person politics position possibility present Prior protagonist queer question reading refers regarded relation relationship represent reveals role scene Sedgwick seems seen sense sexual social society story strategy studies tells term texts theory thing tion tradition turn understand writes
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