The SonnetsCambridge University Press, 22 jun 2006 - 277 pagina's The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For this second edition of The Sonnets, Stephen Orgel has written a new introduction to Shakespeare's best-loved and most widely read poems. In a series of focused readings he probes the sonnets' sexual and temperamental ambiguity as well as their complex textual history, and explores the difficulties editors face when modernising the spelling, punctuation and layout of the 1609 quarto. Orgel reminds us that the order in which the sonnets were composed bears no relation to the order in which they appear in the quarto and he warns against reading them biographically. This edition retains the text prepared by G. Blakemore Evans, together with his notes and commentary. |
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12 Sonnet A. B. Grosart Abbott appear beauty beauty's beloved Benson Booth notes Booth suggests Capell Capell's collation compare line compositor conj context couplet Dark Lady death dost doth edited editors Elizabethan emendation eyes fair false favour Gildon grace hath headnote heart Hood implied Ingram and Redpath Kerrigan kind line 14 line 9 Lintott live looks loue love i.e. love's lover Lover's Complaint Malone meaning metaphor metonymy mind misreading mistress moral Muse nature night Ovid pare Passionate Pilgrim perhaps phrase play poems poet poet's praise q Sonnet q variant quatrain Rape of Lucrece reference rhyme Rollins rose seems sense sexual Shakespeare Shakespeare's Sonnets shame sight Sonnet 15 Sonnet 28 Sonnet 44 Sonnet 51 Sonnet 60 soul spirit sweet thee theme thine things thought Tilley Time's tion true truth Tucker variant form Venus and Adonis verse words worth youth