Shakespeare's Roman WorldsRoutledge, 1989 - 243 pagina's Shows how a clear understanding of Shakespeare's explorations of Roman values offers invaluable critical insights into the Roman plays. |
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... Moving from the world of 494-491 BC to the period of Julius Caesar , 45-42 BC , is to move from a primitive to a mature and sophisticated Rome ; a society with a rich heritage , proud of its democratic institutions . Valour is no longer ...
... Moving from the world of 494-491 BC to the period of Julius Caesar , 45-42 BC , is to move from a primitive to a mature and sophisticated Rome ; a society with a rich heritage , proud of its democratic institutions . Valour is no longer ...
Pagina 77
... move of requesting to speak in Cae- sar's funeral , Cassius is astonished by Brutus ' assent and quickly tries to ... moved in close to his adversary , finally holding a sword at his throat . Cassius ' dilemma was made explicit . ) Both ...
... move of requesting to speak in Cae- sar's funeral , Cassius is astonished by Brutus ' assent and quickly tries to ... moved in close to his adversary , finally holding a sword at his throat . Cassius ' dilemma was made explicit . ) Both ...
Pagina 84
... moves . on to a vivid description of himself as being the unique embodiment of Roman constancy , employing a comparison that presents him as a demi- god : I could be well mov'd , if I were as you ; If I could pray to move , prayers would ...
... moves . on to a vivid description of himself as being the unique embodiment of Roman constancy , employing a comparison that presents him as a demi- god : I could be well mov'd , if I were as you ; If I could pray to move , prayers would ...
Inhoudsopgave
IMAGES AND SELFIMAGES IN JULIUS CAESAR | 40 |
REALITIES AND IMAGININGS IN ANTONY AND | 93 |
SOUNDS WORDS GESTURES AND DEEDS IN | 154 |
Copyright | |
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action Antony and Cleopatra Antony's appear assassination audience Aufidius awareness battle bicause body Brutus and Cassius Bullough Casca Cassius character Cicero cittie Cominius common conflict conspirators contempt contrast conveys Coriolanus Corioles creates critical death deeds doth Dramatic Sources dramatist Egypt Egyptian embodiment enemies Enobarbus expression Feast of Lupercal feeling friends gives hand hath heart hero honour Ibid imagery Julius Caesar kill King King Lear Lavinia Leggatt Lepidus living Mark Antony Martius Menenius mother murder Narrative and Dramatic nature never noble Octavius Caesar patricians plebeians Plutarch Plutarch's account political Pompey Pompey's powerfully response reveals revenge Roman history Roman plays Roman values Roman world Rome sayd selfe Senate sense Shake Shakespeare Shakespeare's Roman shewed Sicinius significant social universe society soldiers speak speech sword thee thou Titus Andronicus tongue tragedy tribunes triumph unto vision Volsces Volumnia warre warrior words wounds