Literary Pan-Africanism: History, Contexts, and CriticismCarolina Academic Press, 2005 - 200 pagina's "In a critical, well-researched, and illuminating analysis of history and literature, this study highlights the dynamics of the relationship between Africans and African-Americans since the original separation of the Middle Passage. The study emerges at a timely phase, as America struggles with its racial heritage, its ethnic future, and multiculturalism, and as people of African descent create new contexts for defining identity in a nation that struggles to embrace Africans who have arrived, this time, as voluntary migrants."--BOOK JACKET. |
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Pagina 89
... creative ethos of a group of people by virtue of its reflection of the images and symbols of its own group , " her comment becomes an ex- planation of the meaning of African literary texts that examine the African- American experience ...
... creative ethos of a group of people by virtue of its reflection of the images and symbols of its own group , " her comment becomes an ex- planation of the meaning of African literary texts that examine the African- American experience ...
Pagina 120
... creative process in which she is the principle au- thority . She welcomes various paradigms of interpretation for ... creativity.2 Even the 1960s criti- cism of Dilemma fails to regard the text within its full historical possibilities ...
... creative process in which she is the principle au- thority . She welcomes various paradigms of interpretation for ... creativity.2 Even the 1960s criti- cism of Dilemma fails to regard the text within its full historical possibilities ...
Pagina 163
... creative tradition is the absence of original fiction and drama depicting African antiquity , which remains wide open for the fictional recreation of everything William Leo Hansberry or Chan- cellor Williams ever contrived to put in ...
... creative tradition is the absence of original fiction and drama depicting African antiquity , which remains wide open for the fictional recreation of everything William Leo Hansberry or Chan- cellor Williams ever contrived to put in ...
Inhoudsopgave
Historical Premises of African and AfricanAmerican | 25 |
Black Orpheus | 69 |
Wole Soyinka and Black America | 95 |
Copyright | |
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African descent African literature African world African-American experience Africans and African-Americans Afro-American Aidoo American analysis Angelou Anowa Armah Awoonor become Black Orpheus century Chapter character collective colonial Comes complex concerning conference Congress contemporary context continent critical cultural define demonstrates describes Diaspora Dilemma direction Drake early enslavement trade Eulalie European examined example explore fact function Ghana Global historical human identifies identity images important intellectuals Interpreters issues Joe Golder Journal knowledge Last leaders literary meaning myth nature negative Negro neo-colonial Nigerian Notes novel observes offers organization original Osiris Rising Pan-African paradigm past perspective play political possibilities practical present questions racial record reference reflect regeneration relationship represent respect reveals scholars significant Slave Trade social society Soyinka structure struggle texts themes theory tion traditional understanding United University vision Volume Voyager West African women writes York