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to the honest and generous enthusiasm of the writer. This

0 feeling has stimulated his activity, has sustained his perseverance, has called forth all his ingenuity and eloquence: but,

t on the other hand, we must frankly say that it has, to a great J extent, perverted his judgment.

We are by no means without sympathy for Mr. Montagu even in what we consider as his weakness. There is scarcely any delusion which has a better claim to be indulgently treated

f than that under the influence of which a man ascribes every

te moral excellence to those who have left imperishable monuments of their genius. The causes of this error lie deep in the inmost recesses of human nature. We are all inclined to judge of others as we find them. Our estimate of a character

th always depends much on the manner in which that character

st affects our own interests and passions. We find it difficult to

in think well of those by whom we are thwarted or depressed; and we are ready to admit every excuse for the vices of those who are useful or agreeable to us. This is, we believe, one of

Τ. those illusions to which the whole human race is subject, and T which experience and reflection can only partially remove. It is, in the phraseology of Bacon, one of the idola tribus. Hence it is that the moral character of a man eminent in letters or in the fine arts is treated, often by contemporaries, almost always by posterity, with extraordinary tenderness. The world derives pleasure and advantage from the performances of such a man. The number of those who suffer by his personal vices is small, even in his own time, when compared with the number telle of those to whom his talents are a source of gratification. In a few years all those whom he has injured disappear. But his works remain, and are a source of delight to millions. The genius of Sallust is still with us. But the Numidians whom he plundered, and the unfortunate husbands who caught him in their houses at unseasonable hours, are forgotten. We suffer

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T ourselves to be delighted by the keenness of Clarendon's obper servation, and by the sober majesty of his style, till we forget ce:bi the oppressor and the bigot in the historian. Falstaff and Tom a gay

Jones have survived the game-keepers whom Shakspeare cud

gelled and the landladies whom Fielding bilked. A great ont writer is the friend and benefactor of his readers; and they carce cannot but judge of him under the deluding influence of treat friendship and gratitude. We all know how unwilling we are

to admit the truth of any disgraceful story about a person

whose society we like, and from whom we have received faint

vours; how long we struggle against evidence, how fondly, ned when the facts cannot be disputed, we cling to the hope that

be some explanation or some extenuating circumrac stance with which we are unacquainted. Just such is the feelcult ing which a man of liberal education naturally entertains to

wards the great minds of former ages. The debt which he Ethe

owes to them is incalculable. They have guided him to truth. one! They have filled his mind with noble and graceful images.

They have stood by him in all vicissitudes, comforters in sor

row, nurses in sickness, companions in solitude. These Tent friendships are exposed to no danger from the occurrences by ori which other attachments are weakened or dissolved. Time way glides on; fortune is inconstant; tempers are soured; bonds d dt which seemed indissoluble are daily sundered by interest, by Ich emulation, or by caprice. But no such cause can affect the cesi silent converse which we hold with the highest of human.inmbe tellects. That placid intercourse is disturbed by no jealousies I or resentments. These are the old friends who are never

seen with new faces, who are the same in wealth and in poThe verty, in glory and in obscurity. With the dead there is no mbt rivalry. In the dead there is no change. Plato is never sulimir len. Cervantes is never petulant. Demosthenes never comes uffer unseasonably. Dante never stays too long. No difference

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of political opinion can alienate Cicero. No heresy can excite the horror of Bossuet.

Nothing, then, can be more natural than that a person endowed with sensibility and imagination should entertain a respectful and affectionate feeling towards those great men with whose minds he holds daily communion. Yet nothing can be more certain than that such men have not always deserved to be regarded with respect or affection. Some writers, whose works will continue to instruct and delight mankind to the remotest ages, have been placed in such situations that their actions and motives are as well known to us as the actions and motives of one human being can be known to another; and unhappily their conduct has not always been such as an impartial judge can contemplate with approbation. But the fanaticism of the devout worshipper of genius is proof against all evidence and all argument. The character of his idol is matter of faith; and the province of faith is not to be invaded by reason. He maintains his superstition with a credulity as boundless, and a zeal as unscrupulous, as can be found in the most ardent partisans of religious or political factions. The most decisive proofs are rejected, the plainest rules of morality are explained away; extensive and important portions of history are completely distorted. The enthusiast misrepresents facts with all the effrontery of an advocate, and confounds right and wrong with all the dexterity of a Jesuit; and all this only in order that some man who has been in his grave during many ages may have a fairer character than he deserves.

Middleton's Life of Cicero is a striking instance of the influence of this sort of partiality. Never was there a character which it was easier to read than that of Cicero. Never was there a mind keener or more critical than that of Middleton. Had the biographer brought to the examination of his favourite statesman's conduct but a very small part of the acuteness and severity which he displayed when he was engaged in investigating the high pretensions of Epiphanius and Justin Martyr, he could not have failed to produce a most valuable history of a most interesting portion of time. But this most ingenious and learned man, though

So wary held and wise
That, as 'twas said, he scarce received

For gospel what the church believed," had a superstition of his own. The great Iconoclast was himself an idolater. The great Avvocato del Diavolo, while he disputed, with no small ability, the claims of Cyprian and Athanasius to a place in the Calendar, was himself composing a lying legend in honour of St. Tully. He was holding up as a model of every virtue a man whose talents and acquirements, indeed, can never be too highly extolled, and who was by no means destitute of amiable qualities, but whose whole soul was under the dominion of a girlish vanity and a craven fear. Actions for which Cicero himself, the most eloquent and skilful of advocates, could contrive no excuse, actions which in his confidential correspondence he mentioned with remorse and shame, are represented by his biographer as wise, virtuous, heroic. The whole history of that great revolution which overthrew the Roman aristocracy, the whole state of parties, the character of every public man, is elaborately misrepresented, in order to make out something which may look like a defence of one most eloquent and accomplished trimmer.

The volume before us reminds us now and then of the Life of Cicero. But there is this marked difference. Dr. Middleton evidently had an uneasy consciousness of the weakness of his cause, and therefore resorted to the most disingenuous shifts, to unpardonable distortions and suppressions of facts. Mr. Montagu's faith is sincere and implicit. He practises no

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trickery. He conceals nothing. He puts the facts before us in the full confidence that they will produce on our minds the effect which they have produced on his own. It is not till he comes to reason from facts to motives that his partiality shows itself; and then he leaves Middleton himself far behind. His work proceeds on the assumption that Bacon was an eminently virtuous man. From the tree Mr. Montagu judges of the fruit. He is forced to relate many actions which,

if

any man but Bacon had committed them, nobody would have dreamed of defending, actions which are readily and completely explained by supposing Bacon to have been a man whose principles were not strict, and whose spirit was not high, actions which can be explained in no other way without resorting to some grotesque hypothesis for which there is not a tittle of evidence. But any hypothesis is, in Mr. Montagu's opinion, more probable than that his hero should ever have done any thing very wrong.

This mode of defending Bacon seems to us by no means Baconian. To take a man's character for granted, and then from his character to infer the moral quality of all his actions, is surely a process the very reverse of that which is recommended in the Novum Organum. Nothing, we are sure,

could have led Mr. Montagu to depart so far from his master's precepts, except zeal for his master's honour. We shall follow a different course. We shall attempt, with the valuable assistance which Mr. Montagu has afforded us, to frame such an account of Bacon's life as may enable our readers correctly to estimate his character.

It is hardly necessary to say that Francis Bacon was the son of Sir Nicholas Bacon, who held the great seal of England during the first twenty years of the reign of Elizabeth. The fame of the father has been thrown into shade by that of the son. But Sir Nicholas was no ordinary man. He belonged

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