In small proportions we just beauties see, THE ANTISTROPHE, OR COUNTER-TURN Call, noble Lucius, then, for wine, 75 And let thy looks with gladness shine; Accept this garland, plant it on thy head, And think, nay know, thy Morison's not dead. 80 Possest with holy rage To see that bright eternal day, Of which we priests and poets say Such truths as we expect for happy men. And there he lives with memory, and Ben THE EPODE, OR STAND Jonson, who sung this of him, ere he went, Or taste a part of that full joy he meant In this bright asterism: Where it were friendship's schism, Were not his Lucius long with us to tarry, To separate these twi Lights, the Dioscuri, And keep the one half from his Harry. But Fate doth so alternate the design, Whilst that in heaven, this light on earth, must shine, IV THE STROPHE, OR TURN And shine as you exalted are; Two names of friendship, but one star Of hearts the union; and those not by chance Made, or indenture, or leased out t' advance The profits for a time: No pleasures vain did chime, Of rhymes or riots, at your feasts, 85 90 95 100 Orgies of drink or feigned protests; But simple love of greatness and of good, 105 That knits brave minds and manners more than blood. THE ANTISTROPHE, OR COUNTER-TURN This made you first to know the why You liked, then after to apply That liking, and approach so one the t' other, Till either grew a portion of the other, Each styled by his end, The copy of his friend. You lived to be the great sir-names And titles by which all made claims Unto the virtue: nothing perfect done THE EPODE, OR STAND And such a force the fair example had As they that saw The good and durst not practise it were glad That such a law Was left yet to mankind; Where they might read and find Friendship, indeed, was written not in words, Of two so early men, Whose lines her rolls were, and records; Who, ere the first down bloomèd on the chin, 1629. 1640. AN ELEGY Fair friend, 't is true your beauties move My heart to a respect Too little to be paid with love, Too great for your neglect. I neither love nor yet am free; It little wants of love but pain: Your beauty takes my sense; And lest you should that price disdain, My thoughts too feel the influence. 'Tis not a passion's first access, Ready to multiply; But, like love's calmest state, it is It is like love to truth reduced, All the false values gone Which were created and induced By fond imagination. 'Tis either fancy or 't is fate To love you more than I: I love you at your beauty's rate; Like unstampt gold, I weigh each grace, So that you may collect Th' intrinsic value of your face Safely from my respect. And this respect would merit love, Were not so fair a sight Payment enough; for who dare move Reward for his delight? 1640. JOHN DONNE SATIRES FROM SATIRE I "Away, thou changeling motley humourist! Leave me; and in this standing wooden chest, Consorted with these few books, let me lie In prison, and here be coffined when I die. Nature's secretary, the philosopher; Here are God's conduits, grave divines; and here 5 And wily statesmen, which teach how to tie Here gathering chroniclers; and by them stand Giddy fantastic poets of each land. IO Shall I leave all this constant company, If thou, which lovest all, canst love any best,- 15 Though some more spruce companion thou dost meet; Not though a captain do come in thy way, Bright parcel-gilt with forty dead men's pay; Not though a brisk, perfumed, pert courtier 20 Great train of blue-coats, twelve or fourteen strong, A speech to court his beauteous son and heir. 25 Now we are in the street: he first of all, 30 Yet though he cannot skip forth now to greet Every fine, silken, painted fool we meet, And grins, smacks, shrugs, and such an itch endures As 'prentices or school-boys, which do know 35 Of some gay sport abroad yet dare not go. And as fiddlers stop lowest at highest sound, So to the most brave stoops he nighest the ground; Than the wise politic horse would heretofore, 40 When any names the king of Spain to you. Now leaps he upright, jogs me, and cries, "Do you see Yonder well-favoured youth?" "Which?" "Oh, 't is he That dances so divinely." "O," said I, 45 "Stand still; must you dance here for company?" He drooped; we went, till one which did excel Met us; they talked; I whispered, "Let us go, 'T may be you smell him not; truly I do." 50 He hears not me, but on the other side A many-coloured peacock having spied, Leaves him and me. I for my lost sheep stay; Saying, "Him whom I last left, all repute 55 For his device in handsoming a suit, To judge of lace, pink, panes, print, cut, and pleat, "Our dull comedians want him, let him go; But O, God strengthen thee, why stopp'st thou so?" 60 "Why!" "Hath he travelled long?" "No; but to me, "So is the pox." He answered not, but spied More men of sort, of parts and qualities. 65 And, like light dew exhaled, he flings from me, Many were there; he could command no more; And constantly a while must keep his bed. By 1593. THE INDIFFERENT 1633. I can love both fair and brown; Her whom abundance melts and her whom want betrays; Her who loves loneness best, and her who masks and plays; Her whom the country formed, and whom the town; Her who believes, and her who tries; Her who still weeps with spongy eyes, I can love her, and her, and you, and you; I can love any, so she be not true. Will no other vice content you? Will it not serve your turn to do as did your mothers? Or have you all old vices spent and now would find out others? Or doth a fear that men are true torment you? 70 5 ΙΟ |