Ben Jonson and the Language of Prose Comedy |
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Pagina 146
Even to Jonson , with his “ graphic ” realism 8 and his frequent importation of real noises into the mouths of his imaginary toads , we must apply Malraux's dictum that “ les grands artistes ne sont pas les transcripteurs du monde ...
Even to Jonson , with his “ graphic ” realism 8 and his frequent importation of real noises into the mouths of his imaginary toads , we must apply Malraux's dictum that “ les grands artistes ne sont pas les transcripteurs du monde ...
Pagina 277
Even the most clinical realism can never be more than an approximation whereby an author claims a certain degree of plausibility ... realist is already distilling the language of the tribe into a brew more potent than its normal self .
Even the most clinical realism can never be more than an approximation whereby an author claims a certain degree of plausibility ... realist is already distilling the language of the tribe into a brew more potent than its normal self .
Pagina 280
Nashe , tentatively , Shakespeare , and Chapman form a first wave ; Jonson is the towering central figure , who annexes the field of mock realism as his own province ; Dekker , Marston , and Beaumont ( in The Knight of the Burning ...
Nashe , tentatively , Shakespeare , and Chapman form a first wave ; Jonson is the towering central figure , who annexes the field of mock realism as his own province ; Dekker , Marston , and Beaumont ( in The Knight of the Burning ...
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Inhoudsopgave
Antecedents I | 1 |
Prose as Prose | 41 |
Rhetorics Tinkling Bell | 90 |
Copyright | |
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action alliteration already antimasque appears baroque Bartholomew becomes Busy character clause comedy comic continues course court Criticism Disc effect elements Elizabethan English Epicene expression fact Fair feeling figures final follow folly fools formal further hand haue humors Jonson Jonsonian kind king ladies language leads learned least less linguistic live logical London looke Love manner masque matter meaning merely moral Morose nature never object once Overdo passage pattern perhaps period person phrases play plot present produce prose puppet realism reference relation remains rhetorical satire scene seems sense sentence Shakespeare shift short social sound speak speaker speech spirit stage stand Studies style suggest symbol syntax talk tends theater things thinke thou thought tion true Truewit turn verbal verse whole writers