Ben Jonson and the Language of Prose Comedy |
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Pagina 33
I.ii.78–79 ) The antithetic halves , obviously , follow a variety of patterns . ... or they may have no relation whatever outside the pattern in which they are set ( “ a Ticke in a Sheepe , " " such a valiant ignorance " ) .
I.ii.78–79 ) The antithetic halves , obviously , follow a variety of patterns . ... or they may have no relation whatever outside the pattern in which they are set ( “ a Ticke in a Sheepe , " " such a valiant ignorance " ) .
Pagina 61
When an implicitly symmetrical pattern is perpetually being disturbed and thwarted by small changes in form , we have the phenomenon of symmetry clashing with asymmetry that is at the heart of baroque stylistic practice.24 The following ...
When an implicitly symmetrical pattern is perpetually being disturbed and thwarted by small changes in form , we have the phenomenon of symmetry clashing with asymmetry that is at the heart of baroque stylistic practice.24 The following ...
Pagina 73
of repose as the pattern rounds itself out , a feeling of energy from the breaking of the pattern . The asymmetry peculiar to baroque prose appears in Jonson in still another stylistic mannerism : the coupling in parallel relation of ...
of repose as the pattern rounds itself out , a feeling of energy from the breaking of the pattern . The asymmetry peculiar to baroque prose appears in Jonson in still another stylistic mannerism : the coupling in parallel relation of ...
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Inhoudsopgave
Antecedents I | 1 |
Prose as Prose | 41 |
Rhetorics Tinkling Bell | 90 |
Copyright | |
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