Ben Jonson and the Language of Prose Comedy |
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Pagina 47
By contrast , the speeches of Carlo Buffone and Luscus simulate live language much more closely , or seem to , and the reason is that they reject the figures of balance , parallel , and climax used by Shakespeare .
By contrast , the speeches of Carlo Buffone and Luscus simulate live language much more closely , or seem to , and the reason is that they reject the figures of balance , parallel , and climax used by Shakespeare .
Pagina 72
... effect of balance may be undone by the interpolation of a qualifying phrase between symmetrical elements : “ If I doe not , let me play the mounte - bank for my meate while I live , and the bawd for my drinke ” ( SW IV.1.151-152 ) .
... effect of balance may be undone by the interpolation of a qualifying phrase between symmetrical elements : “ If I doe not , let me play the mounte - bank for my meate while I live , and the bawd for my drinke ” ( SW IV.1.151-152 ) .
Pagina 92
... Volpone , Subtle , and Truewit , who can within limits control their own personae , command their own metamorphoses . The butts in the plays are those who try to live within an alien persona , adopting the kind of mask that flatters ...
... Volpone , Subtle , and Truewit , who can within limits control their own personae , command their own metamorphoses . The butts in the plays are those who try to live within an alien persona , adopting the kind of mask that flatters ...
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Inhoudsopgave
Antecedents I | 1 |
Prose as Prose | 41 |
Rhetorics Tinkling Bell | 90 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
action alliteration already antimasque appears baroque Bartholomew becomes Busy character clause comedy comic continues course court Criticism Disc effect elements Elizabethan English Epicene expression fact Fair feeling figures final follow folly fools formal further hand haue humors Jonson Jonsonian kind king ladies language leads learned least less linguistic live logical London looke Love manner masque matter meaning merely moral Morose nature never object once Overdo passage pattern perhaps period person phrases play plot present produce prose puppet realism reference relation remains rhetorical satire scene seems sense sentence Shakespeare shift short social sound speak speaker speech spirit stage stand Studies style suggest symbol syntax talk tends theater things thinke thou thought tion true Truewit turn verbal verse whole writers