Ben Jonson and the Language of Prose Comedy |
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Pagina 79
II.ii.31 ) And this would be only the merest beginning , to be followed by an inquiry into occasions on which characters vouchsafe explanations of acts and feelings — and still one would have barely scratched the surface of ...
II.ii.31 ) And this would be only the merest beginning , to be followed by an inquiry into occasions on which characters vouchsafe explanations of acts and feelings — and still one would have barely scratched the surface of ...
Pagina 92
I a The identity of language with character , in Jonson , leads to an especially acute concern for decorum , the law which demands that a character speak like himself at all times . Mimicry , however , introduces a complication : a ...
I a The identity of language with character , in Jonson , leads to an especially acute concern for decorum , the law which demands that a character speak like himself at all times . Mimicry , however , introduces a complication : a ...
Pagina 129
Poetaster , a play in which causal connectives are rare , affords a good illustration of Jonson's " darkly deterministic ” view of character , 22 and it may be suspected that the absence of connectives is related to the fixity of ...
Poetaster , a play in which causal connectives are rare , affords a good illustration of Jonson's " darkly deterministic ” view of character , 22 and it may be suspected that the absence of connectives is related to the fixity of ...
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Inhoudsopgave
Antecedents I | 1 |
Prose as Prose | 41 |
Rhetorics Tinkling Bell | 90 |
Copyright | |
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