Ben Jonson and the Language of Prose Comedy |
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Pagina 49
Baroque style , on the other hand , aimed to give the impression , at least , of spontaneity , and hence its first concern was to break the stranglehold of the suspended sentence , to keep its syntax unencumbered and uncommitted , so as ...
Baroque style , on the other hand , aimed to give the impression , at least , of spontaneity , and hence its first concern was to break the stranglehold of the suspended sentence , to keep its syntax unencumbered and uncommitted , so as ...
Pagina 86
If we assume that the restlessness of baroque style expresses some restlessness within the writer , some inner conflict or war with the world at large , we can see that it lends itself admirably to the needs of authors like Donne ...
If we assume that the restlessness of baroque style expresses some restlessness within the writer , some inner conflict or war with the world at large , we can see that it lends itself admirably to the needs of authors like Donne ...
Pagina 329
145 , 169 , 174 ; Shakespeare's use of , 55-56 ; and Senecanism , 66 Baroque " loose " style : characterized , 62 , 64 , 66-67 ; Jonson's use of , 62-63 , 64 , 67-69 , 100 , 118 , 145 , 19094 Bartholomew Fair , 53 , 54 , 70 , 88 , 122 ...
145 , 169 , 174 ; Shakespeare's use of , 55-56 ; and Senecanism , 66 Baroque " loose " style : characterized , 62 , 64 , 66-67 ; Jonson's use of , 62-63 , 64 , 67-69 , 100 , 118 , 145 , 19094 Bartholomew Fair , 53 , 54 , 70 , 88 , 122 ...
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Inhoudsopgave
Antecedents I | 1 |
Prose as Prose | 41 |
Rhetorics Tinkling Bell | 90 |
Copyright | |
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action alliteration already antimasque appears baroque Bartholomew becomes Busy character clause comedy comic continues course court Criticism Disc effect elements Elizabethan English Epicene expression fact Fair feeling figures final follow folly fools formal further hand haue humors Jonson Jonsonian kind king ladies language leads learned least less linguistic live logical London looke Love manner masque matter meaning merely moral Morose nature never object once Overdo passage pattern perhaps period person phrases play plot present produce prose puppet realism reference relation remains rhetorical satire scene seems sense sentence Shakespeare shift short social sound speak speaker speech spirit stage stand Studies style suggest symbol syntax talk tends theater things thinke thou thought tion true Truewit turn verbal verse whole writers