Ben Jonson and the Language of Prose Comedy |
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Pagina 96
A further difficulty appears in speeches like this : Mounsieur Gasper ( I take it so is your name ) misprise me not , I wil trample on the hart , on the soule of him that shall say , I will wrong you : what I purpose , you cannot now ...
A further difficulty appears in speeches like this : Mounsieur Gasper ( I take it so is your name ) misprise me not , I wil trample on the hart , on the soule of him that shall say , I will wrong you : what I purpose , you cannot now ...
Pagina 250
The rebellion thus aborted , and Reason having explained the mysteries of the nuptial rite , Juno appears in splendor in the clouds , the true spiritual mistress of the occasion . Her descent is followed by the joyful main dance ...
The rebellion thus aborted , and Reason having explained the mysteries of the nuptial rite , Juno appears in splendor in the clouds , the true spiritual mistress of the occasion . Her descent is followed by the joyful main dance ...
Pagina 255
The resemblance to formal satire is emphasized by the fact that these characters remain purely verbal constructions ; they do not , as one might have expected , appear to dance an antimasque , but appear only in Robin's narration .
The resemblance to formal satire is emphasized by the fact that these characters remain purely verbal constructions ; they do not , as one might have expected , appear to dance an antimasque , but appear only in Robin's narration .
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Inhoudsopgave
Antecedents I | 1 |
Prose as Prose | 41 |
Rhetorics Tinkling Bell | 90 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
action alliteration already antimasque appears baroque Bartholomew becomes Busy character clause comedy comic continues course court Criticism Disc effect elements Elizabethan English Epicene expression fact Fair feeling figures final follow folly fools formal further hand haue humors Jonson Jonsonian kind king ladies language leads learned least less linguistic live logical London looke Love manner masque matter meaning merely moral Morose nature never object once Overdo passage pattern perhaps period person phrases play plot present produce prose puppet realism reference relation remains rhetorical satire scene seems sense sentence Shakespeare shift short social sound speak speaker speech spirit stage stand Studies style suggest symbol syntax talk tends theater things thinke thou thought tion true Truewit turn verbal verse whole writers